DATE

3/11/2025

TIME

10:40 AM

LOCATION

Oakland, CA

Desk

题外话 #1

Off Topic #1

一切的开端 / the beginning of everything

DATE

3/11/2025

TIME

10:40 AM

LOCATION

Oakland, CA

Desk

题外话 #1

Off Topic #1

一切的开端 / the beginning of everything

DATE

3/11/2025

TIME

10:40 AM

LOCATION

Oakland, CA

Desk

题外话 #1

Off Topic #1

一切的开端 / the beginning of everything

作者声明(5/1/25):

本文为个人疗愈性写作,所有内容基于真实情绪、记忆与主观感受,并非法律陈述,也不构成任何公共立场或组织观点。请以共情和理解的方式阅读,切勿断章取义。如你也正经历相似状态,愿这些文字能带给你一些陪伴。


原文:

已经吃了4块10mg的🍃糖、半碗孙建龙做的皮蛋瘦肉粥和大半包烟了,直到昨天,我已经戒烟100天了。我真的不知道该说啥。这最好值得我牺牲的睡眠和黑眼圈。

谢谢已经阅读了前三篇的黄炜、张乃乾、娄鹤、周昕达、chen(?我忘记你名字了,抱歉)、DaInn、Bailey、and Wooseung, who promised to read it by Friday(you better),以及最近帮我做饭的孙建龙,以及最近结婚了的Shinohara先生,嘿嘿嘿。

另外,已经阅读了三篇的其中两位我很好的大学的朋友(也是一对已婚妇妇,嗯是的,你没看错)以为我的第一篇文章是自杀留言....澄清一下,我现在比较不会那样了(虽然很多人觉得我是在装逼,但我真的没有,我就是这么弱,抱歉,我也以为我很强,实际上,我是个宝宝。不然呢,你以为现在我爸天天在给谁做饭),虽然我随时还可以想到那个时候的状态。但是在那个状态里待太久不合适我心理健康,所以我就先出来一下。说实话,抑郁这部分我还没发泄完。当时这个抑郁确实是多方面的,我真的是有点崩溃。崩溃的时候比我想象的来的还汹涌,我就病了。是的,这是病。我承认了。是病,所以!我不是在装逼!我的病了!得病的时候是这样!去看医生!去看医生!去吃药!去接受心理干预!去告诉你的朋友!让他们每天给你发消息~确保你起来了~确保你今天也起来了~就算是借口,也要用喔~~~。

但你真的觉得,akron general会误判住院病人的病情吗?我不太确定。我觉得如果他们误判到那个程度,这整个工业就是一场骗局。我希望这是真的,那所有的所谓心理疾病是不是就会消失了?这样好像也不是很健康,还是需要有自查机制。这样,以防万一,因为很多事情不是一天两天,是长期的,总有破碎的一天,不要觉得不会发生在你身上。

我当时在想,好吧,那这个环境是有毒的,我可以最大程度承受多少毒?后来的结论是,如果是毒,最好一点都没有。因为这很不健康,非常不健康,任何的发展都需要创造力和休息、积极乐观的状态,不能过度操劳。所以,慢慢来吧。我现在就以‘正在疗愈中’的身份去慢慢活着。法律上我确实确诊过,也在逐步恢复。就当是一个阶段性的停顿,重新找回力量。

但你,在读我写的这些话的你,不需要走到这一步,现在就去做你想做的事情吧,我支持你们。~

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。