DATE

5/17/25

TIME

10:17 PM

2024 SXSW

A: In 2024 SXSW, Dev Patel came his talk for Monkey Man late, we couldn’t watch that movie last night, it had 200+ of his Indian "friends and family” (a type of ticket the festival gives to the producer, director and main cast, but usually people at most bring 20+) came to see, legit like an Indian wedding scene. We watched it later in theaters, it was a solid movie, even though immature, it was his debut, so ill give him that. More than the movie, I liked Dev Patel as a person, at least from what he said and how he was in person. I still can’t exactly pinpoint what’s so charming about him, but he is a very likable person. He came in late because he had been partying all night last night and only slept three hours. Who was he partying with? I wonder, at the same week, the Daniels from Everything Everywhere All At Once were there, who watched Didi by Sean Wang in the same room with us, the entire cast of The Three Body Problem, Alex Garland with the cast of Civil War, Emily Blunt, and a bunch of other people, and musicians, I’m sure they were partying alright.

For the first 15 mins of the talk I was so distracted wondering how the party went, because it’s not a Hollywood party, this is SXSW, people must be relatively chill here, it’s not Florida, Epstein island or some shit in Blink Twice, at least I hope it’s all just normal parties. I doubt all of them knew each other that well though, people don’t always get along with people they work with or in the same industry with, it’s all natural to just meet up with who you want to see. I have never been to any so-called Hollywood parties, just fyi. There were some when I was working on set in China, but not ever since I started only doing post.

Then I got distracted by Dev Patel saying that he smashed his hand making the movie somewhere in Indonesia, ran out of money, was trapped by Covid, lost his financiers, but eventually got picked up by Jordan Peele and finished the move. He said it was his attack on India, and its problems. I honestly don’t remember too much about that movie, I just had to look it up to vaguely remember what was it about, I just remember lots of action, and I could really feel his anger as I was sitting in my seat.

He said he smashed his hands, and broke his knee or shoulder or something, but he still went hard. He must have been holding all the anger in for a while now, and took it all out on the film, I can understand that, it happens. Everyone has a different coping mechanism, some are healthier and more constructive than others. Even when it involves hurting yourself.


B: In the same week, we went to another talk by the Daniels from Everything Everywhere All At Once, it was honestly kinda weird, they had powerpoints, and i thought I went for a lecture, when I just wanted some intel on how things are going for them work-wise, any creative tips for the next break, how to manage your crew etc. But they kinda did a rundown on how they grew up on like college application essay.

I ran into them later again at Didi’s showing, it was a really packed room, everyone was super excited to see it, and everyone had so much fun. There was a sense of “wow, that was new, that was a fresh angle” kind of surprise, I’m not sure why that movie didn’t do well, I enjoyed it so much.


C: The line for Civil War was long, i think we were in line for an hour, the line wrapped around the building and went to the next block. Alex Garland was there, and he didn’t say much at all before the movie, so I had no idea what the movie is about actually, i didn’t do any research. The whole trip was kind of a last minute idea, I was just curious, so we went to check this out, more on this later.

I had no idea Civil War was literally the answer to, “What if there’s another American Civil War?” because people had been storming Capitol Hill these days, so he literally was like, here you go, this is what would happen if there is another one. Maybe I should make one too, “What if China and Taiwan had a war and it proceeded to trigger the World War III?”, sounds like a good idea, i gotta write that down, sounds expensive though, not sure how to make it.

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。