DATE

3/28/25

TIME

10:23 PM

Patience is Overrated

Part. 17 Patience is Overrated

Patience is overrated, I used to firmly believe this. If I could do it faster, why should I take longer? If I can finish work in two hours, why should I sit there for eight. It didn’t make sense to me, why am I being punished for being productive and therefore was assigned more work? It would be unfair to the others, they say. Even if you finish you need to pretend that you are doing something, they say. No, we don’t have more work for you, sorry. Please don’t go do that one thing I didn't tell you to do. Actually thank you for doing that thing I didn't tell you to do. Do you want to run that scanning room / all the related people by yourself? No, your title is still an assistant, you literally joined six months ago. No it’s not just for all the makeup, costumes, special makeup, it’s also for all the props, no, both as big as the cart (轩辕坟妲己马车) and as small as the hairpin (同一场、妲己自刎那发钗). Oh, please fly some drones over the exterior sets too, we need the size and details of that too, make it a stitched overview like a map. Thanks, you are the best. No, I can’t give you a raise, you joined six months ago.

I mean, I get it. All their reasons seemed quite reasonable. I guess I’m not reasonable. 

Because what is reasoning? I did take this class last year of college that was called “Decision Making and Judgement” under my psychology major. I enjoyed that class so much. I enjoyed all the classes included in the psychology program. I felt like a little kid in a candy shop, yet I never liked sweet things. All of this was stuff I was really curious about, but never had access to. I kept on taking more classes after fulfilling my major requirements, and just hid it under the disguise of “I partied too much, so gotta stay another year”. I was not ready to start using my knowledge yet, I wanted to keep gaining more knowledge. 

Logic, according to chatgpt, is “the study of reasoning—specifically, the rules that govern valid inference and sound argument. At its core, logic helps us figure out what conclusions follow from what assumptions”. But that’s not what I learned. The version I read in that class was that logic requires the elements of a pattern appearing at least three times, for anyone to form a sensible “reason”, what the pattern is, and why the pattern is the way it is. This means that I can’t understand anything that shows up in my life less than twice. But I guess I’m also exceptionally bad at finding out the patterns in certain areas of knowledge, such as human emotions, even if the same patterns have been around me for decades. 

I’m good at reasoning, but I’m bad at feeling. I’m good at sensing, but I’m bad at making sense of the senses. I’m sure I’m not the only one. We are talking about one of the most profound subjects of all time, human emotions. More on this later, as I’m still trying to form my opinions around that. The point is, I’m reasonable. They were not. They were being lazy, so I left. And I kept on leaving. I’m trying to settle, but still not sure how.

I’m not “reasonable”. No, I'm the most reasonable, if we are speaking of reasons, and reasoning for real. I’ve come to realize that people don’t reason, they succumb to their emotions. For a while, I didn't understand that. All emotions ever brought me were devastation, depression, and anxiety. Now I’ve learned to lean into those, I notice it does make life a lot more colorful. I used to always fall into this trap of understanding everything in theory and thinking I knew what it was. I didn’t. The people who do it, live through it do. Not me. I wanted to be like them too, I wanted to live through things too. Maybe I overdid it, maybe I’m still over doing it. But this is for me, just enough.


Part. 18 Enough

When I was in the mental hospital, we used to gather three times a day, to say these mantras to ourselves, because they believed that we were in there because we didn’t believe any of these.  The mantras go like this, “I’m safe. I’m loveable. I’m worthy. I’m good enough.” I used to think, what kind of bullshit is that, is this really going to help me? After a few times, I started crying every time I said it. By the time I left, I had convinced them that I was no longer needing to remind myself of those anymore. But I find myself still having to say these to myself even to this day. 

I seem to need a lot, nothing is ever enough. But also I seem to need very little, a bed, a room, and access to books are enough. But also freedom of self-expression, freedom of participating in politics, freedom of eating whatever I want whenever I want, freedom of going wherever whenever I want to, freedom of saying no, freedom of feeling safe, or not safe, a lot of these I think should be free for all rights. Somehow these are not free for all at all. This is strange to me. But most people seem to never have a problem with it, or even notice it. Or tell me I’m overthinking if I share, or tell me that I’m being ungrateful. 

Ungrateful for what? For having to self-exile to literally the furthest place from home? For not knowing if I’d be safe if I wasn’t politically well-connected? For being forced to play the game, all the time, regardless of how you feel about the game? I mean, shouldn’t you respect people’s decisions they make for themselves? 

So I left. I want to live.


Part. 19 Is Patience Overrated?

Like I said previously, I wanted to try everything after I finally got exposure to experiences I previously had no access to. I wanted to try to progress at everything fast, not because I had no patience, that was part of it, but not all of it. I wanted to progress as fast as I could in things I was curious about because I was not sure if I could live past 30. Going 30, in my mind, was the end of an era, an era of exploration, growth, experimentation, and learning. Now I’ve learned that’s far from the truth, being 31 going 32, I realize there’s still so much to the world we don’t know. I just learned a few days ago, our universe could likely be in a black hole. That would make sense considering how long our environment hasn’t changed, billions and billions of years. So long that we formed, life formed, we are typing on a machine, and we have AI. 

So patience is not overrated. If it wasn’t for the patience, we wouldn’t exist. I wouldn't be here, you wouldn't be on the other side, reading my thoughts. It’s a unique way of connecting, but it's still a way of connecting. 

After my dad came, I realized he quickly found his routines. He gets up, makes breakfast for him and us, goes for a walk around Lake Merritt, comes back, makes lunch, takes a nap, and goes on for a walk either at the lake or on the rooftop. Sometimes he goes on another walk to the rooftop while calling my mom on WeChat. My mom no longer texts me and calls me no matter where I am and what I’m doing to trigger me. I still don’t want to talk to her, I really don’t know what is left to say. My dad seems to still have a lot to say to her still though, sometimes I think, they are in love, they’ve always been. For what my mom has done to me, to him, he’s still by her side. My mom seems to be finally learning how to be a mom. I'm not sure if it’s too late. I’m keeping an open mind. 

I watch my dad do the same things at same times everyday, I wonder, what’s the appeal in having routines? Is there an appeal to it? I always hated routines, how can I predict at what time I’d be satisfied with whatever it is that I’m doing? I like to do something until I don’t want to do it anymore, then I take a break, until I want to do it again. I heard that’s because Libra is a wind sign. I don’t know what that means, but it does sound like I come and go, with no stability. 

I do have something to say about this though. I do have stability. I’ve been after the same things the whole time, I’ve been working toward the same things the whole time, I’ve been still going for what I’d like to do this whole time. I’m consistent. I am stable. What’s more stable than refusing to change your heart and lie to yourself, no I don’t want it anymore, it’s taking too long, there’s no hope, it’s time to give up, it’s time to grow up. 

I am all grown. I am 31, going 32. My brain has finished developing. I did wait until 26 to start using a decent amount of certain very safe substances. I can buy anything without question as long as I have the money. I am an adult. I am grown. Do you have to be called immature if you decide to not do what everyone else decides to do? What does everyone else end up doing? Whatever seems to be the easiest? Come on, you don’t expect me to believe your life is necessarily easier than mine, right? 

I don’t just believe that we were all dealt with cards of fate, we also follow the script of fate through our lives until our deaths. I always like to say, “I have no choice.” I do feel like I have no choice a lot of times, or should I say, all the time?


Part. 20 I Have No Choice

I have no choice. I always feel like I have no choice. For the first half of my life so far, I literally had no choice. For the second half so far, I have some choices, but still not much. Having a choice is a scarcity, I don’t think most people have choices. Or so they think. We all have another choice, if not many other choices. Yet somehow, most of what’s happened and is still happening to me does feel inevitable. From the starting point, at every single crossroad, I made the same choice, over and over again, and I’m still making the same choice, over and over again. 

I do have a choice, but I also don’t. I don’t have a choice when it comes to my obsession with things I want, maybe just one more try. It's not time to give up yet. I wonder if this is the gambler’s mindset, I know I’m certainly addicted. I have no problem with moving on to the next thing if I feel like, this is it, this is the furthest I can go, and that’s not good enough for me. That was the reason why I kept hopping from one thing to another, until there are a few vocations I do feel like I could exhaust my entire life learning and experimenting still to have new things to learn from. I have no choice, not to pursue them would be such a waste. Doesn’t YOLO stand for “you only live once”? I only live once, I want to do everything. I will create a condition for myself that I can do everything, or as many things as possible. 

I needed a way of making money that would allow me to have a flexible schedule for time and space to try different things. I couldn’t be bound to one location, one job, one routine for too long. I'd not be exposed to enough different possibilities for me to know what my vocation would be, if such a thing exists at all. This western idea of everyone having a vocation was very interesting to me, now I think I might have a few.



Part. 17 Patience is Overrated

耐心一定不是美德、我以前一直深信这点。如果我能更快完成,为什么要花更久?如果我能两个小时完成的事,为什么要坐在那里八个小时?这对我来说讲不通,为什么我因为高效率而被惩罚,结果还要被分配更多的工作?他们说,那样对其他人不公平。他们说,就算你做完了,也要假装你还在忙。不好意思,我们没有更多工作给你。不要去做我没有让你做的那件事。哦,谢谢你做了我没说的那件事。你想一个人负责扫描间和所有相关的人吗?不,你的职位还是助理,你才刚来六个月。不只包括所有妆发、服装、特效妆,还包括所有道具,大的像轩辕坟妲己的马车,小的像妲己自刎用的发钗。哦,顺便飞个无人机拍一下外景搭建,我们也需要那些场景的细节和尺寸,像地图一样拼成一张图。谢谢,你真棒。不,我不能给你加薪,你才刚来六个月。我懂。他们说的这些理由听起来都挺合理的,是我不“合理”。

那什么是“理性”呢?我大学最后一年选过一门课叫“Decision Making and Judgement(决策与判断)”,是心理学专业下的课。我特别喜欢那门课。我其实很喜欢心理学的所有课程。我就像小孩进了糖果店,但我其实不喜欢甜的。全都是我本来就很好奇、却从未接触过的内容。我在完成专业要求之后还继续选了很多心理学课,然后对外的说法是“因为大一玩太疯了所以得多留一年”。其实我只是还没准备好开始“使用”这些知识,我还想继续“获得”。

根据chatgpt的定义,逻辑是“关于推理的研究——特别是关于有效推理和合理论证的规则。它的核心是帮助我们判断哪些结论是哪些前提的合理推演”。但那不是我在课上学到的内容。我们学的版本是,逻辑推理需要某个模式至少出现三次,人才能建立一个看似合理的“因果关系”,即“什么是规律”“规律为什么是这样”。也就是说,我无法理解生命中只出现过一次或两次的事。但我想我在某些领域的规律提取能力本身也特别差,比如人类情感——即便那些模式其实已经在我身边存在几十年了。

我很擅长推理,但我不擅长感受。我对感受很敏锐,但我不知道如何解读这些感受。我相信我不是唯一一个这样的人。我们讨论的是有史以来最深刻的主题之一:人类的情感。这个话题我之后还会继续写,我现在还在形成自己的观点。重点是:我很“理性”。他们不是。他们只是懒,所以我离开了。我好像总是在不断离开、我正在试着停下来。

我不是“理性”?不,如果我们讲的是reason和reasoning,我是最理性的。我后来意识到,大多数人根本不依赖理性,而是屈服于自己的情绪。有段时间我不能理解这件事,因为情绪带给我的只有毁灭、抑郁、焦虑。但现在我学会去依靠它们,我发现生活真的因此变得更丰富多彩。我以前总是掉进一个陷阱里:以为自己理解理论就等于理解本质。我错了。那些真正懂的人,是那些亲身经历过的人。不是我。但我也想成为他们那样的人,我也想亲身经历。我不断尝试、也许对别来说像是过度尝试;但对我来说,刚刚好。


Part. 18 Enough

我在精神病院的时候,我们每天聚集三次,念一句类似口号的自我暗示,因为他们认为我们进来,是因为不相信这些话。这些口号是:“我是安全的。我是值得被爱的。我是有价值的。我已经足够好了。”我当时心想,这都是什么狗屁玩意儿,这真能帮我吗?但念了几次之后,我每次念到这段都哭。等我出院的时候,我已经成功说服他们,我不再需要不断提醒自己这些事了。但直到今天,我发现我还是得继续对自己说这些话。

我看起来好像需要很多东西,好像永远都不够。但我又好像只需要很少:一张床,一个房间,一些书就够了。但我又需要自我表达的自由、参与政治的自由、任何时候想吃就吃的自由、想去哪就去哪的自由、说“不”的自由、感到安全或不安全的自由。我觉得这些应该是所有人都该拥有的基本权利。但这些显然不是所有人都能拥有的。这对我来说很奇怪。但大多数人似乎并不在意,甚至不会注意到。当我分享时,会说我想太多了,或者说我不知感恩。

不知感恩?感恩什么?感恩我得自我放逐?感恩我没有“关系”,就无法保证自己的安全?感恩我不得不玩这个游戏,不管我喜不喜欢这个游戏?I mean, shouldn’t you respect decisions people make for themselves?

我走了。我想活下去。


Part. 19 Is Patience Overrated?

就像我之前说的,当我终于接触到以前没机会体验的生活之后,我就特别想把所有事情都试一遍。我特别想要快速进展,不是因为我完全没耐心,虽然没耐心也是一部分原因,但不是全部。我之所以想迅速进展,是因为我曾经不确定自己能不能活过30岁。对我来说,三十岁是一个时代的终点,是一个探索、成长、实验、学习的时代的终点。但现在我明白,那完全不是事实。31快32岁的我意识到,世界上还有太多我们不了解的东西。比如我几天前才知道,我们的宇宙可能本身就在一个黑洞里。如果是真的,那倒挺合理的,毕竟我们的环境已经几百亿年没怎么变了。长到可以让生命出现、演化、让我们坐在电脑前打字,还有AI。

耐心作为美德并没过度强调。没有耐心,就没有我们。我不会在这儿,你也不会在对面看着我的想法。这是一种很特别的连接方式,但它还是一种连接。

我爸来了之后,我发现他很快就建立了自己的日常。他每天起床,做早餐,去湖边散步,回来做午饭,小睡一下,然后再去湖边或屋顶散步。有时候他还会边打电话给我妈边去屋顶。我妈现在不再发消息或打电话来trigger我了。但我还是不想跟她说话。我不知道还能说什么。我爸似乎还有很多话想跟她说。有时候我会想,他们其实很相爱,一直都爱着。尽管我妈对我、对我爸都做了那么多事情,他还是陪在她身边。我妈现在似乎终于开始学着怎么当一个妈了。我不知道是不是太晚了。我决定保持开放心态。我看着我爸每天做一样的事,在一样的时间。我在想:日常到底有什么吸引力?日常真的有吸引力吗?我一直都讨厌“routine”,我怎么可能预测什么时候我会满足于做什么事情?我喜欢做事,直到我不想做,然后休息,直到我又想做。听说这是因为天秤座是风象星座。我不知道这是什么意思,但听起来我确实来去如风,没有稳定性。

不过我还是想说:我其实是稳定的。我一直追求的东西没变,我一直在为同样的目标努力,我一直在坚持我想做的事。我是有一致性的。我是稳定的。比起改变内心、欺骗自己说“我不想要了”“太久了”“没希望了”“该放弃了”“该长大了”这种稳定性,哪一个更稳定?我已经长大了。我31,快32。我大脑已经发育完成。我确实等到26岁才开始使用某些substance。有钱就能买任何东西,无需外界许可。我是成年人。我不想千篇一律、也不是“不成熟”。

我只是相信命运给了我们一副牌。我相信,我们从出生到死亡,是被命运的剧本牵着走的。我常说一句话:“我别无选择。”我很多时候真的感觉自己没有选择,或者说,所有时候都没有。


Part. 20 I Have No Choice

我别无选择。我总觉得我别无选择。我人生的前半段,确实没有任何选择。后半段到现在,虽然有了一些选择,但也仍然不多。拥有选择是种稀缺,我不认为大多数人真正拥有选择。或者说,他们以为自己没有。我们其实总有选择,但不知为何,大多数已经发生、或正在发生的事,对我来说却又都显得那么不可避免。从起点出发,在每一个岔路口,我都一遍又一遍地做出了同一个选择,而我现在仍在一遍又一遍地做出那个同样的选择。

我确实有选择,但也确实没有。当涉及到我执着的那些事时,我没有选择。也许我可以再试一次。还不是放弃的时候。我在想,这是不是赌徒心态,我显然已经上瘾了。但只要我觉得这就是尽头了、再走也无意义了、对我来说不够好了,我是可以毫无问题地转身离开的。这也是为什么我曾经不断跳来跳去,从事到事,直到我发现了能让我耗尽一生都还愿意去学习、去尝试、并且还能不断从中学到新东西的方向。我别无选择,不追逐它们会太浪费了。YOLO(你只活一次)不就是这个意思吗?我只活一次,我什么都想试。我会为自己创造条件,能让我做所有事,或者尽可能多的事的条件。

我需要可以让我安排时间和空间都自由的赚钱方式,让我能去尝试不同的东西。我不能被束缚在一个地点、一份工作、一个日常太久。如果那样,我就没办法接触到足够多的可能性,去识别什么是我的“志业”——如果真的有这种东西的话。西方人说的“每个人都有自己的志业”的概念对我来说一直很有趣,现在我觉得,我可能还真有、而且不止一类。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。