DATE

5/17/25

TIME

1:09 AM

Why People Don't Feel Safe to Apologize

刚来读高中的时候,我的寄宿家庭的爷爷总是因为我不道歉而感到生气。他问,你为什么不道歉?你不觉得抱歉吗?我说,我觉得很抱歉,但我不知道为什么我没有道歉的习惯。于是我开始道歉,经常道歉,后来又发现,很多事情不必道歉。我开始困惑,那到底什么是需要道歉、什么是不需要道歉的?

我想很多人都有这样的困惑,这么多元的的世界,和不同的人分享地球的时候,什么是对的、什么是错的?事实是,每个人都有不同的是非观,别说是非观了,世界观、交往观、买不买tesla观、是否支持trump观、贸易战观,数不胜数。对与错,只能以我的心、情绪、直觉判断。我觉得没错,不必道歉。我觉得错了,最好认错。为了别人,也为了做更好的自己。

但我好像不会、不懂、不敢道歉,这到底是为什么?我想还是“自上而下”的吧。我爸妈是上,我是下。他们的上,也是成败论英雄,有人这么多纰漏、一顿乱搞、死伤千万,也没道歉,轻飘飘一句“错误的被发动”完事了。让道歉的人反而被歧视、霸凌、众矢之的,这样的环境,确实让人不敢道歉。知道自己错了也别认错,死也不能承认,好死不如赖活着(活下去才有机会、自我改进也好,改进外部环境也好)。追责是需要的,认错是必须的,改进才有可能。程度是需要把握的,不然会变成反向霸凌。

我很垃圾,内心都是负面想法,这些别人都听不到,只有我知道。所以我写出来,告诉你,我垃圾。别被我骗了。我不值得。我想怪我的父母,但会不会我本来就是这样,根本没什么原因。我为什么会这么多怒气,这么多焦虑、这么恨自己、讨厌自己,是因为我还未能原谅别人的错误吗?还是我真的时间太多了。但我忙的时候、似乎也会这样。我应该如何和他人消解、和自己消解,还是消解根本不可能。我之前觉得某些人一言不合就对冲很野蛮,但后来又觉得,对冲的沟通好过没沟通。情绪化的表达,好过没表达。还是说,情绪化的表达,就是不恰当的表达?但表达,一定需要完美、得体、客观吗?健康的生态,应该是“好的” “坏的”情绪都可以包容的,争执、批评、不同、不理解、再到理解,都可以接受的。不是一步到位的,是一直在演变、进化、动态的。不是盖棺定论的,是可以一直发展、前进的。但我很累,我想被审判了。我想被盖棺定论了,我想直接去地狱了。

我恨自己的不完美,我讨厌自己的肮脏、阴暗。如果我不阴暗,我怎么能看到阴暗。如果我不阴暗,我为何总是沉迷阴暗。如果我不阴暗,我不会一边知道自己多恶心、多肮脏,一遍自我暴露,一边厌恶、一边焦虑,一边还是希望这样的自己可以被接受?我自己都不接受自己,我要如何接受别人?但我这么肮脏,我要如何接受自己。这样的我,真的可以吗?这样的我,值得吗?这样的我,会被包容吗?这样的我,真的值得继续吗?大家都这么想吗?还是只有我一人?

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。