DATE

5/29/25

TIME

3:21 PM

LOCATION

Oakland, CA

I Hate My Parents But I Also Miss Them

A: I hate my parents, but I also like them. I hate my parents, but I also miss them. I miss what we maybe potentially could have had, but never actually did have, or ever will have. Perhaps by the time we all finally let go of how everything should be, we can finally have what we could have been, or will be. I guess we will see. I’m not sure how that will happen, I’m not sure when it will happen.

Most East Asians I’m friends with between the 27 and the 38 year old range have issues with their parents. The more different the kid is from their parents, the bigger the issue is. I’m not sure if these communication issues are really all about communication, I think they are about trust. I do not trust my mom, and I do not trust my dad. I do trust that they might have the right intention, but i do not trust that they are honest.

I like my dad as a father, I do not like him as a person. I have a rough idea what sort of family I’m in, my dad’s in, my mom was in, my grandparents were in, and it’s a very complicated history, to the point I’m not sure where to begin. I never thought the family history was anything worth looking into, until I realized it was tied to all of recent Chinese history just like everyone else’s. My grandparents went through so much, my parents generation had it a little bit better, and my generation either fled or got depressed. I’m the first one in my family to be free-ed from all the silence and anxiety, and that’s why it’s hard for my family to understand.

Is this okay? Can you do that? Are you sure it’s okay to do this? They always ask me. Yes, this is okay, yes you will be safe for saying that or voicing this, its all very normal, and no we don’t work overtime, yes there’s PTO, but not in my line of work unless you work as a staff in a studio, which i’ll never do, yes I could find a tech job, no I probably won’t.

What does that mean? It means I can do pretty much whatever i want, but not everything, because there’s always a catch, the catch is you work harder than anyone in return, and no there’s no secret sauce, there’s no sauce, all there is is hard work.

But you’d be happy and free, which means, you can feel you heart beating, safe and sound, it means, you can feel the wind breeze, and feel happy, it means that anything can make you happy, and anything will make you happy, because life is already hard, the world is already fucked, what sort of pressure and pain must you bring on to yourself and each other? It’s not worth it, nothing is worth the peace. True, peace. All these war, and history, of people getting into deep shit fighting for petty self-reassurance and ego, It’s not worth it, nothing is worth the peace.


B: I hate my parents, but I also like them. I hate them for not being more honest, but at the same time I understand. I watched this documentary at SFFILM 2025, called Remember Us, Sudan, they showed a guy’s recordings throughout Sudan, on its citizens' attempt to democratize the country. Civilians were killed casually, yet no one knew about it. At least definitely not me. When I asked ChatGPT about the current on-going war in the world, Sudan didn’t come up, but from what i saw, that was very much a war.

The protesters were rallying up in public plazas and reciting poems of protesters who came before them. They would sing, they would dance, they would play music, and they would paint the ones passed on the wall in memory of them. Most of the interviewees ended up fleeing the country, perhaps this is just how it goes, flee or stay and fight.


C: I guess people either flee, or they learn to survive. I can understand that, when you can flee, you must do what you can to survive. It’s still hard for me to understand the level of perseverance my parents / grandparents generations went through. Without them, there would be no me.

It’s hard to take life lightly, but it’s also hard to not take pain lightly. Is pain bigger than life? Or life bigger than pain? End of life is end of everything, there will be nothing. I guess it doesn’t make sense to look forward to nothing. If it is the end, there’s no possibility. I guess life is bigger than anything. Life is bigger than ourselves, our objective feelings.


D: I sometimes feel self-conscious about how small my hands and feet are, especially my hands. I’m worried it’s some sort of generational trauma. Not that long ago, women of prestigious families wrapped their feet in mummy / zombie like bandages, to the point their feet get deformed. It was considered noble, something only a rich family’s daughter can do, because itinsinuates the lady never had to farm or work. Like my grandma’s mom. My hands are tiny, it’s not because of my mom, but probably because my grandma from dad’s side. My mom’s hands are long and healthy, when my hands could barely cover one octave on a piano. I was told it wasn’t for me, I believe what I was told, until I learned that Yujia Wang had the same experience. Except, her family could afford the piano lessons, and regardless of regardless of whether she’d be a pro. 

I knew my grandma’s parents owned land, but I’m not sure how much. It was perhaps equivalent of a plantation because apparently her family was evil enough to all of them abused physically and emotionally, and eventually lethally, with at least one suicide in the house. Maybe more, we didn’t get too into it, i was like 12 or 14. Her maiden name was Mao, same as the Mao we know. I don’t want to find out if they knew each other, maybe when I’m ready later.


E: I like my mom as a person, but I do not like her as a mother. I’m all about women empowerment, but she has to make everything so hard. I’m an asshole, so i guess, I win. She’s pinched me on my butt cheeks until I bled, in spots my dad would never see. I remember everything. Memories are associated with emotions, stronger the emotions, the better the memories. I have bipolar, not schizophrenia. Is it the meds that are working, or Tibetan Book of the Dead? I do not know. It’s too philosophical.



sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。