DATE

11/5/25

TIME

12:54 PM

LOCATION

Oakland, CA

I Love Him, That's Without A Doubt(i)

我爱他、这是无容置疑的(i)

I love him, that's without a doubt. How should I describe my love for him? I'm not sure. I don't care who's reading this, this is my silent love letter to him.

Unlike you with your onlyfans porn with your ex girlfriend, the account of which's followers you keep blocking. "It's for excitement, not exposure." I think the real reason is, you loved her so, you wanted to own her, even in such an insidious, yet humble way. You loved her so, that you'd want to leave the evidence of your love, public. You wanted it to leave a mark, you wanted to show the world. You are possessive, you are mad. Mad that she couldn't be the way you wanted, yet you didn't know how to help her. You blame yourself for it, but as a man you are, you blame her.

I'm sure this will turn you on too, scribbles of secrets, only you and I understand. Your inside and outside, outside and inside, everything is not how it seems. You won me at chess twice, yet you couldn't keep playing, you could win, but you couldn't last. I'm just getting started, can you keep up? You remind me of my age, or are you reminding yourself of my age? Are you ashamed, you are attracted to me? I'm traumatized, don't let the outside replace the inside.

Men are visual animals, I didn't know the extent of it. Men are visual animals, they chase after you on visual cues, then disrespectfully invade your boundaries, take a spot, then invade another inch, then another yard. I don't know how many people read me before they saw me, somehow, you are, not quite as shallow as you present yourself to be either.

You want to be seen as shallow, as ever-changing, as always camouflaged, because just like a vampire, you are scared of the sun. You are not ready to accept yourself, you are not ready to allow the world see you for who you are, because unlike every girl in the world had to learn, you have not learned how to not let the world change you. So this is my lesson to you, from one human to another, how to love and care.

Love is unconditional, I'm a supporter of it. Love is momentum, is gravity, is intuition, is second nature. There's a lot to unpack there, I will stop here. Love is something I'm still learning to learn, how to learn love, its the question of the millennia. I love him, it's second nature, I love him, because I met him when I was me, when he was him. I love him, because even though everything has changed, parts of us haven't. I love him, because unlike tiktok, which demands the attention span of shorter than 2 minutes, some things last, some things have ups and downs, ever-changing, always alive. There are things that come with time, you start to breath the same air, be on the same frequency, fully embracing each other, fully enjoying each other. You wouldn't know, because you wouldn't know.

This is not designated to a specific person, come, take a seat. This is merely a byproduct of the process, I'll record it here for you. I analyze, I freely write, because when the world is going to shit, I still need a space to be free. No one is free, yet everyone is free. We are free to love, even if we can't all be together. We are free to breath, to enjoy the sun, the plants, the streets, the people, to realise life itself as a miracle.

Life is a miracle, a truth people often forget. Life is a miracle, so grand and beautiful, its an omen from the god, too precious to be witnessed alone, that if life is not shared with another soul, we feel so alone. Look, at how grand this is, oh wait, there's no one here with me. I'd cry, I did cry, I was lost, I was found.

I was found, in the darkness of winter Chicago, on Navy Pier, after that last minute concert, where we stood in a small jazz club, and saw Laufey for first time. I was found in the streets of Shanghai, seafood restaurants of Huangdao, Stiky Tofu stands in Changsha. I was lost, i was found. I was found over and over again, you take me back to where I'm supposed to go.



Source: Musixmatch

Songwriters: Theron Thomas / Sam Martin / Sean Maxwell Douglas / Johnny Goldstein / Ho Seok Jung

Sweet Dreams lyrics © Artist Publishing Group West, Sam Martin Music Publishing, Eastman Pond Publishing


Sweet dreams come after hours
Nothin' that's not allowed
You should never sleep alone (sleep alone)
'Cause I'll always take you home (yeah, right)
When there's nothin' left but diamond necklace (uh-huh)
On you, girl

I just wanna love you like, love you like, love you like that (yeah)
Love you like, love you like, love you like that (yeah)
Love me right, love me right, love me right back (yeah)
Love me right, love me right, love me right back
You should never sleep alone
'Cause I'll always take you home
When there's nothin' left but diamond necklace
On you, girl (oh)

Any night, anytime, you are my appetite
Double vision, Gemini, and it goes like this
Take you home, take it slow, 'til you bite your lip
Got a movie in my mind, and it goes like this
Closed curtains, open eyes
Lay down your skin on mine
Leave all the rest to me (yeah)

Sweet dreams come after hours (that's what they do)
Nothin' that's not allowed (uh-huh)
You should never sleep alone (sleep alone)
'Cause I'll always take you home (yeah, right)
When there's nothin' left but diamond necklace
On you, girl

I just wanna love you like, love you like, love you like that (yeah)
Love you like, love you like, love you like that (yeah)
Love me right, love me right, love me right back (yeah)
Love me right, love me right, love me right back
You should never sleep alone
'Cause I'll always take you home
When there's nothing left but diamond necklace
On you (uh-huh), girl (oh)

You the only cover that I need when I'm cold (cold)
You can have my body with my heart and my soul (soul)
You light up my life, you're like a diamond
Shinin', shinin', shinin', yeah
And we might never get to sleep tonight
I'll give you everything you need tonight
This kind of love, I guarantee for life
Dreams gonna be sweet tonight (oh yeah)

Sweet dreams come after hours
Nothin' that's not allowed
You should never sleep alone (sleep alone)
You should let me take you home (alright)
'Til there's nothing left but a diamond necklace (yeah)
On you, girl

I just wanna love you like, love you like, love you like that (yeah)
Love you like, love you like, love you like that (yeah)
Love me right, love me right, love me right back (yeah)
Love me right, love me right, love me right back
You should never sleep alone
'Cause I'll always take you home
When there's nothing left but diamond necklace
On you, girl (oh)



Source: Musixmatch

Songwriters: Theron Thomas / Sam Martin / Sean Maxwell Douglas / Johnny Goldstein / Ho Seok Jung

Sweet Dreams lyrics © Artist Publishing Group West, Sam Martin Music Publishing, Eastman Pond Publishing


Sweet dreams come after hours
Nothin' that's not allowed
You should never sleep alone (sleep alone)
'Cause I'll always take you home (yeah, right)
When there's nothin' left but diamond necklace (uh-huh)
On you, girl

I just wanna love you like, love you like, love you like that (yeah)
Love you like, love you like, love you like that (yeah)
Love me right, love me right, love me right back (yeah)
Love me right, love me right, love me right back
You should never sleep alone
'Cause I'll always take you home
When there's nothin' left but diamond necklace
On you, girl (oh)

Any night, anytime, you are my appetite
Double vision, Gemini, and it goes like this
Take you home, take it slow, 'til you bite your lip
Got a movie in my mind, and it goes like this
Closed curtains, open eyes
Lay down your skin on mine
Leave all the rest to me (yeah)

Sweet dreams come after hours (that's what they do)
Nothin' that's not allowed (uh-huh)
You should never sleep alone (sleep alone)
'Cause I'll always take you home (yeah, right)
When there's nothin' left but diamond necklace
On you, girl

I just wanna love you like, love you like, love you like that (yeah)
Love you like, love you like, love you like that (yeah)
Love me right, love me right, love me right back (yeah)
Love me right, love me right, love me right back
You should never sleep alone
'Cause I'll always take you home
When there's nothing left but diamond necklace
On you (uh-huh), girl (oh)

You the only cover that I need when I'm cold (cold)
You can have my body with my heart and my soul (soul)
You light up my life, you're like a diamond
Shinin', shinin', shinin', yeah
And we might never get to sleep tonight
I'll give you everything you need tonight
This kind of love, I guarantee for life
Dreams gonna be sweet tonight (oh yeah)

Sweet dreams come after hours
Nothin' that's not allowed
You should never sleep alone (sleep alone)
You should let me take you home (alright)
'Til there's nothing left but a diamond necklace (yeah)
On you, girl

I just wanna love you like, love you like, love you like that (yeah)
Love you like, love you like, love you like that (yeah)
Love me right, love me right, love me right back (yeah)
Love me right, love me right, love me right back
You should never sleep alone
'Cause I'll always take you home
When there's nothing left but diamond necklace
On you, girl (oh)

sunny.xiaoxin.sun@doubletakefilmllc.com

Sunny Xiaoxin Sun's IMDb


©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunny.xiaoxin.sun@doubletakefilmllc.com

Sunny Xiaoxin Sun's IMDb


©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunny.xiaoxin.sun@doubletakefilmllc.com

Sunny Xiaoxin Sun's IMDb


©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。