DATE

3/13/2025

TIME

9:18 PM

LOCATION

Oakland, CA

messenger

你好 #1. 我走丢了

Nihao #1 I'm lost

(depressive version)

DATE

3/13/2025

TIME

9:18 PM

LOCATION

Oakland, CA

messenger

你好 #1. 我走丢了

Nihao #1 I'm lost

(depressive version)

DATE

3/13/2025

TIME

9:18 PM

LOCATION

Oakland, CA

messenger

你好 #1. 我走丢了

Nihao #1 I'm lost

(depressive version)

我走丢了,人群里甩开了妈妈的手,小小的我被天边凤凰吸引走了,我追着她跑了好远、好久,不知道跑了多久、多远,追到我筋疲力竭了。我曾经离它很近,近到我感觉自己快被烧死了,但我重重的掉下来了。事实上,我被烧的很重,我一度以为就是这样了,到这里为止了,我尽力了。

我被救活了。不知道为什么。突然之间,好像整个世界都开始拥抱我。我不知道发生了什么,我回过神来一看,我已经不知道到了哪里。我想回去,但已经找不到回去的路了。我突然没了主意,我该去哪,哪个方向才是家。我好像什么都不知道。我总说我对象怎么这么clueless,啥都问我。他说,可能你太多clue了。我在想,我有多少clue?我不知道,好像所有的事情都明显的摆在我面前,我却连不起来。我在干嘛,我为什么在这里,我是谁。我要去哪,为什么要去那,那里有什么,有什么非得我走过去的原因吗。

到现在我也不知道,我非得走过去的原因,但走过去看看吧?你觉得呢?

I got lost. I let go of my mom’s hand in the crowd. The small version of me was drawn away by a phoenix in the sky. I chased it for a long time, ran far, not knowing how long or how far I had gone—until I was completely exhausted. I was once so close to it, close enough to feel like I was about to be burned alive. And then I fell. Hard.

In fact, I got badly burned. I really thought that was it—that this was the end. That I had done all I could.

But I was brought back to life. I don’t know why. All of a sudden, it felt like the whole world started to embrace me. I don’t know what happened. When I came to, I realized—I no longer knew where I was.

I wanted to go back, but the road home was gone. I suddenly had no idea what to do. Where am I supposed to go? Which direction leads home? I felt like I didn’t know anything anymore.

I always complain that my partner is so clueless, asking me everything. He said, “Maybe it’s because you have too many clues.” And I wonder—how many clues do I have? I don’t know. It feels like everything is laid out clearly in front of me, but I can’t seem to connect any of it.

What am I doing? Why am I here? Who am I? Where am I going? And why am I going there? What is there? Is there really a reason I have to walk toward it?

Even now, I don’t know what that reason is—but maybe I’ll just go and see?

What do you think?

I got lost. I let go of my mom’s hand in the crowd. The small version of me was drawn away by a phoenix in the sky. I chased it for a long time, ran far, not knowing how long or how far I had gone—until I was completely exhausted. I was once so close to it, close enough to feel like I was about to be burned alive. And then I fell. Hard.

In fact, I got badly burned. I really thought that was it—that this was the end. That I had done all I could.

But I was brought back to life. I don’t know why. All of a sudden, it felt like the whole world started to embrace me. I don’t know what happened. When I came to, I realized—I no longer knew where I was.

I wanted to go back, but the road home was gone. I suddenly had no idea what to do. Where am I supposed to go? Which direction leads home? I felt like I didn’t know anything anymore.

I always complain that my partner is so clueless, asking me everything. He said, “Maybe it’s because you have too many clues.” And I wonder—how many clues do I have? I don’t know. It feels like everything is laid out clearly in front of me, but I can’t seem to connect any of it.

What am I doing? Why am I here? Who am I? Where am I going? And why am I going there? What is there? Is there really a reason I have to walk toward it?

Even now, I don’t know what that reason is—but maybe I’ll just go and see?

What do you think?

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。