DATE

8/14/25

TIME

2:43 PM

LOCATION

Oakland, CA

There’s No User Manual for Life(#6)

人生没有使用手册(#6)

Genre: Fiction #2B


我曾经有几次求而不得。我从小不是个经常求而不得的人,大多数我想要的东西,我都可以得到。这样说不是炫耀的意思,我的意思是说,我是被宠坏的小孩。他们一边无节制的满足我的需求,一边尽情的虐待我,不然怎么得双相呢。以至于,我以为虐待如果是有奖励的,就是合理的。痛苦如果有甜头就是可以接受的。这样的想法,是病态的吗?我不知道。也许病态的不是我,是世界。我只是把它说了出来。

很少有东西是我真正想要的,得到了,觉得也就那样。尤其如果得到的过程很轻松,得到之后不喜欢更是不屑一顾。但就算得到的过程很艰难,也不会在让我放弃的时候难过。因为都得到了,也不喜欢,就算了呗。不必勉强。sunk cost这种东西不必考虑,多的是时间。

我的人生好像没有缺过人,男人、女人、男孩、女孩、少数、多数、奇怪的、善良的、讨厌我的、喜欢我的,好像很少有平淡的反应,都是会起一些冲突的存在。和人交往对我来说并不难,难的是我的耐心。我没有耐心,我对人没有耐心。我对人没有耐心,因为人,太容易得到了。人,总让我失望。人,翻来覆去也就那样。人,与其相处不如看书。虽然书,也是人写的,但至少我可以在安全距离观察。

我不喜欢人,我也厌恶我自己。我这么恶心、肮脏、自私、虚伪,两面三刀、吃着碗里的看着锅里的,霸道、占有欲爆棚,有什么好喜欢的。其他人也半斤八两吧,相互之间有什么好相处的。我很害怕这种交集带来的冲击,有时候真的觉得我的情绪不够用,我有先天弱势。但人,让我很着迷。他们太复杂,太深刻,太多样,太美。书不能体现他们的精巧,还是得近距离观察。我想近距离观察,可以让我近距离观察吗。交换。你观察我,我观察你。相信我,我不会做没分寸的事,虽然看起来大条。chatgpt说我是原子核内心,深海外界。边界不明,深而广,但一旦碰到核心,直接撞死。我想它说的内核是某些底线,虽然我也不清楚我具体有些什么底线。但它似乎知道了。


我不是个经常求而不得的人。物质上,几乎没有。虽然不被允许做很多事情,但也被强行给予了很多东西。不管我想不想要,有时候我甚至觉得没有必要。更何况,就算是我想要的,因为是他们给的,我也不想要。我喜欢自己得来的,不喜欢别人给的。人生目标上,好像小时候并没有什么学不懂的科目,只是在写作方面展现了某些的天赋。但不是有天赋就可以的,我太懒惰,而且对学习兴趣缺缺。天赋也需要努力,懒惰的我现在各方面都差其他天赋生一大截。

我小学时有几个梦想职业,摆在第一位的是小说家。实际上,我小学就和我的朋友(杨芳,如果你看到,请联系我)试着写过八个章节。说的是两个女生,去埃及古墓。那段时间一直在看某历史专业的女生写的小说,我也开始效仿。刚看完Mummy(i) &(ii),很痴迷那段历史。我和朋友每天互相发章节,互相修改。我妈每天嘲笑我,爸爸也每天打压我不务正业。后来学业开始忙了,被迫中断。也是这次尝试让我理解到,完成原比天赋重要。努力也比天赋重要。天赋是加持,努力是必须。现在看来,也算是间接实现梦想了。我开始在这个博客上写不那么虚构的虚构,藏在fiction外表下的肆意表达。其实都是我的真实想法。

我不是个经常求而不得的人。情感上,似乎也没有发生过多少次。Daiga说,我总是伤男孩的心,但我想可能不包括男孩,也包括女孩。虽然我个人觉得我没伤ta们,他们自己伤自己。我心情不好,家里事多,我没空、没情绪、没那个闲情逸致。我暗恋的好朋友不知道我喜欢她,但我也一直默默守在她身边。周围的男生喜欢我,她以为我很享受,但我并没有。虽然她并不知道,但我也没有求而不得。我不求什么。我在她身边,我已经得到了我想要的。


求而不得的第一次是高中喜欢的第一个男生,我把他的名字写满笔记本。生日给他。他有女友,我不在乎。你知道就行了,我知道你知道就行了。喜欢的第二个男生,也有女友。他不知道我喜欢他。我不知道他喜欢我,直到今年,我用成年人的思维回顾了一下小时候的经验。如果是今天的我,应该早跟上了。当时的我太烦躁,太混乱,太在意别人想法。现在的我,烦躁、混乱,但我不在意别人的想法。

求而不得的第二次是我大学毕业时,意识到我真的读不完物理这个专业了。更求而不得的是我意识到我永远不可能向我妈证明,我也可以在她擅长的科目上打败她。我擅长的不是没用的,她擅长我也可以。这跟物理无关,跟我求而不得的母爱有关。至于被她理解这件事,我已经放弃了。这辈子都不可能了。尤其是她还在发消息让我生孩子、上班、别抽大麻、别抽烟、抑郁是我想多了、双相也不是她造成的,她说过的话的都没说过,她的伤害都不存在。接受她,等于否定我的一切。

紧跟着第三次的求而不得,是我以为我终于找到了适合我生活的地方,但为了尝试电影,我得离开。五月份就毕业的我,毕业典礼时因为爸妈吵架,直接导致我在毕业典礼没有见到很多人的最后一面。我不理解,只是在哪里等我的小事都无法达成一致,是怎么这么久还没离婚的。一个在原地等,一个手机没带自己走了,也没说去哪。要是是我早就分开了,天天互相攻击有什么意思。后来才发现,我也会这样。我以为我父母是很不适合的一对,但我前男友说,他们应该是相爱的,而且很相爱。不然谁跟这么麻烦的人在一起一辈子。在一起一辈子,我爸妈做到了。

五月份就毕业的我,拖到了九月份才离开。期间三个月学校早就没人,我一遍一遍的打包自己的行李,未来很不确定。我去哪,要做什么,怎么做,未来在哪,我不知道。我只知道,我得去。我得试试。我一遍一遍的打包行李,一遍一遍的又觉得自己还没准备好。我没准备好,但我知道我得出发了。


第四次求而不得,是我从第一家公司离职。那是一家做动作捕捉起家的公司,他们开发了自己的软件硬件。发现了动捕在影视行业的机遇后,专门开了一个分部,用于投入virtual production。事实上,这个技术非常小众,除了James Cameron在阿凡达系列,还没有谁大量的使用。直到今天,各种自称virtual production的facilities其实也不是虚实结合的拍摄,只是搭建了LED舞台,省了个背景板而已。不久公司倒闭了,不管我多么努力,没有用。这不是我自己可以做成的事,我需要伙伴,需要能牵引我的项目。我是新人,我想学习。虽然直到今天,我也没学到什么别人可以教的。人生没有使用手册,如果我早意识到就好了。

第五次求而不得,我爱上了一个已婚的男人。我不知道我爱上了他,直到很久以后我意识到,这可能是爱。爱不是因为对方有多好,是因为你可以接受他的最差,甚至喜欢、理解、愿意被拉进去。我以前以为爱是需要练习,是慢慢发生的。但其实爱是本能。他爱我,我也爱他。但同时我也讨厌他,他也讨厌我。我讨厌他的虚伪,他讨厌我的直接、“不要脸”。我带给他麻烦,我不温顺,我无法被驯服,更不可能搞什么地下情。据说湾区大部分婚姻都是open relationship,我对此很怀疑。我做不到分享,做不到隐忍,更不可能做什么默默支持男人的女人。他支持我还差不多,但他ego那么大,不可能吧。他需要包容他的女人,我需要全然接受的我的人。我们互不需要。


而第六次求而不得,是现在。至于是什么,之后再说吧。

I’ve had a few instances in life where I wanted something but couldn’t have it. As a child, I wasn’t someone who often faced that kind of frustration—most of the things I wanted, I could get. I don’t say this to brag; I mean that I was a spoiled kid. They indulged me without restraint while also abusing me without restraint—otherwise, how else would I end up bipolar? I grew up thinking that if abuse came with a reward, it was justified. That if pain came with a sweetness, it was acceptable. Is that way of thinking pathological? I don’t know. Maybe the pathology isn’t mine—it’s the world’s. I’m just saying it out loud.

There are very few things I truly want. And when I get them, they usually feel like nothing special—especially if they came easily; then I lose interest, even disdain them. But even if something took great effort to obtain, I don’t feel sad when I realize I don’t want it anymore. I already got it, it wasn’t worth it—so what? No need to force it. “Sunk cost” is not something I consider. Time is abundant.

It’s as if I’ve never lacked people in my life—men, women, boys, girls; the few, the many; the strange, the kind; those who dislike me, those who like me. Rarely neutral reactions—always some spark of friction. Social interaction has never been hard for me; what’s hard is my patience. I have none. I have no patience for people because people are too easy to get. People always disappoint me. People, over and over again, are just… that. Given the choice, I’d rather read. Even though books are written by people, at least I can observe them from a safe distance.

I don’t like people, and I also loathe myself. I’m disgusting, filthy, selfish, duplicitous; I want to have it all, controlling and possessive to the extreme—what’s there to like? Others aren’t much better. So what’s the point of mingling with each other? I’m afraid of the collisions that such contact brings; sometimes I feel like I don’t have enough emotions to go around, like I was born with a deficit. And yet, people fascinate me. They’re too complex, too profound, too varied, too beautiful. Books can’t capture their intricacy; you have to observe them up close. I want to observe up close—will you let me? In exchange, you observe me and I’ll observe you. Trust me, I won’t overstep, even if I seem careless. ChatGPT once told me I’m “a nucleus inside, an abyss outside”—boundaries unclear, deep and wide, but touch the core and you crash instantly. I think the “core” it meant are certain bottom lines, though I’m not exactly sure what mine are. But it seems to know.


I’m not someone who often wants but can’t have. Materially, almost never. There were many things I wasn’t allowed to do, but plenty of things I was forced to accept—whether I wanted them or not. Sometimes I even felt they were unnecessary. And even if it was something I did want, if it was handed to me by them, I didn’t want it anymore. I like what I earn myself, not what’s given. In terms of life goals, as a child there wasn’t really any subject I couldn’t grasp, but I did show some talent for writing. And talent alone isn’t enough—I was too lazy and uninterested in study. Talent still requires effort, and lazy me is now far behind others with equal talent but more discipline.

In primary school, my top dream job was novelist. In fact, back then my friend (Yang Fang—if you’re reading this, please get in touch) and I actually tried writing an eight-chapter story. It was about two girls exploring an ancient Egyptian tomb. At the time, I was devouring novels written by a certain history-major girl and started imitating her style. I had just watched The Mummy I & II and was obsessed with that historical period. My friend and I would exchange chapters every day, editing each other’s work. My mother mocked me daily; my father criticized me for wasting time. Eventually schoolwork got busy and I was forced to stop. But that attempt taught me that finishing matters more than talent. Effort matters more than talent. Talent is an advantage; effort is a necessity. In hindsight, I’ve indirectly fulfilled that dream: now I write less-fictional fiction on this blog, pouring myself into pieces disguised as fiction. They’re actually my real thoughts.

I’m not someone who often wants but can’t have. Emotionally, it hasn’t happened often either. Daiga says I “break boys’ hearts,” but I think it’s not just boys—it’s girls too. Though in my view, I never “broke” anyone; they broke themselves. I was in a bad place, busy with family issues, had no time, no mood, no energy for anyone. I had a crush on my best friend who never knew, but I stayed quietly by her side. Boys around me liked me—she thought I enjoyed it, but I didn’t. She didn’t know, but still—I wasn’t wanting but not getting. I wasn’t wanting at all. Being near her, I already had what I wanted.


The first time I truly wanted but couldn’t have was in high school, with the first boy I liked. I filled a notebook with his name and gave it to him for his birthday. He had a girlfriend. I didn’t care. As long as you know, and I know you know, that’s enough. The second boy I liked also had a girlfriend. He didn’t know I liked him—and I didn’t know he liked me, not until this year when I looked back with an adult’s mind. If I were me today, I would have made a move. But back then I was too agitated, too chaotic, too worried about what others thought. Now, I’m still agitated and chaotic—but I don’t care what others think.

The second time was when I graduated from university and realized I really couldn’t finish my physics degree. More painfully, I realized I would never be able to prove to my mother that I could beat her at her own specialty. That what I’m good at isn’t useless, and that what she’s good at, I can do too. This had nothing to do with physics; it had to do with the motherly love I wanted but could never have. As for being understood by her—I’ve given up. It will never happen in this lifetime. Especially when she still sends me messages telling me to have kids, to get a job, to quit weed and cigarettes, that my depression is “just overthinking,” that my bipolar disorder wasn’t caused by her, that she never said the things she said, never did the harm she did. Accepting her would mean erasing everything about myself.

Right after that came the third time: I thought I had finally found the place I wanted to live, but had to leave it to try making films. I graduated in May, but at my graduation ceremony I didn’t get to say goodbye to many people because my parents got into a fight. I couldn’t understand—how could they stay married so long when they couldn’t even agree on something as small as where to wait for me? One stayed put, the other walked off without their phone, without saying where they were going. If it were me, I’d have split ages ago. What’s the point of constant mutual attacks? Later, I realized I could be the same. I used to think my parents were a terribly mismatched pair, but my ex-boyfriend said they must really love each other—otherwise, who stays with someone that difficult for a lifetime? They’ve managed it.

I didn’t leave until September. The campus had been empty for months, and I spent the summer packing my belongings over and over, uncertain about the future. Where was I going, what was I doing, how would I do it? I didn’t know. I only knew I had to go. I had to try. I kept packing, kept feeling unready. I wasn’t ready, but I knew I had to leave.


The fourth time was when I left my first job—a company that started with motion capture, developed its own software and hardware, and, seeing opportunities in film, opened a virtual production division. This tech was niche—aside from James Cameron and Avatar, no one was using it at scale. Even today, most so-called “virtual production” facilities just have LED stages instead of green screens. Soon the company folded. No matter how hard I worked, it was out of my hands. I needed collaborators, projects that could pull me forward. I was new; I wanted to learn. Even now, I haven’t learned much that others could teach. Life has no manual—if only I’d realized earlier.

The fifth time: I fell in love with a married man. I didn’t realize it until much later, when I understood—this might have been love. Love isn’t about how good the other person is; it’s about being able to accept their worst parts, even like them, understand them, and willingly be drawn in. I used to think love needed practice, that it happened slowly. But love is instinct. He loved me, and I loved him. And yet I hated him, and he hated me. I hated his hypocrisy; he hated my bluntness, my “shamelessness.” I brought him trouble; I wasn’t docile; I couldn’t be tamed, much less play the “secret mistress.” People say most Bay Area marriages are open—I doubt it. I can’t share. I can’t be silent. I can’t be the woman who quietly supports a man. He could support me—but with an ego that big? Unlikely. He needs a woman who tolerates him. I need someone who accepts me completely. We don’t need each other.


As of the sixth time. That's a story for another time.




I’ve had a few instances in life where I wanted something but couldn’t have it. As a child, I wasn’t someone who often faced that kind of frustration—most of the things I wanted, I could get. I don’t say this to brag; I mean that I was a spoiled kid. They indulged me without restraint while also abusing me without restraint—otherwise, how else would I end up bipolar? I grew up thinking that if abuse came with a reward, it was justified. That if pain came with a sweetness, it was acceptable. Is that way of thinking pathological? I don’t know. Maybe the pathology isn’t mine—it’s the world’s. I’m just saying it out loud.

There are very few things I truly want. And when I get them, they usually feel like nothing special—especially if they came easily; then I lose interest, even disdain them. But even if something took great effort to obtain, I don’t feel sad when I realize I don’t want it anymore. I already got it, it wasn’t worth it—so what? No need to force it. “Sunk cost” is not something I consider. Time is abundant.

It’s as if I’ve never lacked people in my life—men, women, boys, girls; the few, the many; the strange, the kind; those who dislike me, those who like me. Rarely neutral reactions—always some spark of friction. Social interaction has never been hard for me; what’s hard is my patience. I have none. I have no patience for people because people are too easy to get. People always disappoint me. People, over and over again, are just… that. Given the choice, I’d rather read. Even though books are written by people, at least I can observe them from a safe distance.

I don’t like people, and I also loathe myself. I’m disgusting, filthy, selfish, duplicitous; I want to have it all, controlling and possessive to the extreme—what’s there to like? Others aren’t much better. So what’s the point of mingling with each other? I’m afraid of the collisions that such contact brings; sometimes I feel like I don’t have enough emotions to go around, like I was born with a deficit. And yet, people fascinate me. They’re too complex, too profound, too varied, too beautiful. Books can’t capture their intricacy; you have to observe them up close. I want to observe up close—will you let me? In exchange, you observe me and I’ll observe you. Trust me, I won’t overstep, even if I seem careless. ChatGPT once told me I’m “a nucleus inside, an abyss outside”—boundaries unclear, deep and wide, but touch the core and you crash instantly. I think the “core” it meant are certain bottom lines, though I’m not exactly sure what mine are. But it seems to know.


I’m not someone who often wants but can’t have. Materially, almost never. There were many things I wasn’t allowed to do, but plenty of things I was forced to accept—whether I wanted them or not. Sometimes I even felt they were unnecessary. And even if it was something I did want, if it was handed to me by them, I didn’t want it anymore. I like what I earn myself, not what’s given. In terms of life goals, as a child there wasn’t really any subject I couldn’t grasp, but I did show some talent for writing. And talent alone isn’t enough—I was too lazy and uninterested in study. Talent still requires effort, and lazy me is now far behind others with equal talent but more discipline.

In primary school, my top dream job was novelist. In fact, back then my friend (Yang Fang—if you’re reading this, please get in touch) and I actually tried writing an eight-chapter story. It was about two girls exploring an ancient Egyptian tomb. At the time, I was devouring novels written by a certain history-major girl and started imitating her style. I had just watched The Mummy I & II and was obsessed with that historical period. My friend and I would exchange chapters every day, editing each other’s work. My mother mocked me daily; my father criticized me for wasting time. Eventually schoolwork got busy and I was forced to stop. But that attempt taught me that finishing matters more than talent. Effort matters more than talent. Talent is an advantage; effort is a necessity. In hindsight, I’ve indirectly fulfilled that dream: now I write less-fictional fiction on this blog, pouring myself into pieces disguised as fiction. They’re actually my real thoughts.

I’m not someone who often wants but can’t have. Emotionally, it hasn’t happened often either. Daiga says I “break boys’ hearts,” but I think it’s not just boys—it’s girls too. Though in my view, I never “broke” anyone; they broke themselves. I was in a bad place, busy with family issues, had no time, no mood, no energy for anyone. I had a crush on my best friend who never knew, but I stayed quietly by her side. Boys around me liked me—she thought I enjoyed it, but I didn’t. She didn’t know, but still—I wasn’t wanting but not getting. I wasn’t wanting at all. Being near her, I already had what I wanted.


The first time I truly wanted but couldn’t have was in high school, with the first boy I liked. I filled a notebook with his name and gave it to him for his birthday. He had a girlfriend. I didn’t care. As long as you know, and I know you know, that’s enough. The second boy I liked also had a girlfriend. He didn’t know I liked him—and I didn’t know he liked me, not until this year when I looked back with an adult’s mind. If I were me today, I would have made a move. But back then I was too agitated, too chaotic, too worried about what others thought. Now, I’m still agitated and chaotic—but I don’t care what others think.

The second time was when I graduated from university and realized I really couldn’t finish my physics degree. More painfully, I realized I would never be able to prove to my mother that I could beat her at her own specialty. That what I’m good at isn’t useless, and that what she’s good at, I can do too. This had nothing to do with physics; it had to do with the motherly love I wanted but could never have. As for being understood by her—I’ve given up. It will never happen in this lifetime. Especially when she still sends me messages telling me to have kids, to get a job, to quit weed and cigarettes, that my depression is “just overthinking,” that my bipolar disorder wasn’t caused by her, that she never said the things she said, never did the harm she did. Accepting her would mean erasing everything about myself.

Right after that came the third time: I thought I had finally found the place I wanted to live, but had to leave it to try making films. I graduated in May, but at my graduation ceremony I didn’t get to say goodbye to many people because my parents got into a fight. I couldn’t understand—how could they stay married so long when they couldn’t even agree on something as small as where to wait for me? One stayed put, the other walked off without their phone, without saying where they were going. If it were me, I’d have split ages ago. What’s the point of constant mutual attacks? Later, I realized I could be the same. I used to think my parents were a terribly mismatched pair, but my ex-boyfriend said they must really love each other—otherwise, who stays with someone that difficult for a lifetime? They’ve managed it.

I didn’t leave until September. The campus had been empty for months, and I spent the summer packing my belongings over and over, uncertain about the future. Where was I going, what was I doing, how would I do it? I didn’t know. I only knew I had to go. I had to try. I kept packing, kept feeling unready. I wasn’t ready, but I knew I had to leave.


The fourth time was when I left my first job—a company that started with motion capture, developed its own software and hardware, and, seeing opportunities in film, opened a virtual production division. This tech was niche—aside from James Cameron and Avatar, no one was using it at scale. Even today, most so-called “virtual production” facilities just have LED stages instead of green screens. Soon the company folded. No matter how hard I worked, it was out of my hands. I needed collaborators, projects that could pull me forward. I was new; I wanted to learn. Even now, I haven’t learned much that others could teach. Life has no manual—if only I’d realized earlier.

The fifth time: I fell in love with a married man. I didn’t realize it until much later, when I understood—this might have been love. Love isn’t about how good the other person is; it’s about being able to accept their worst parts, even like them, understand them, and willingly be drawn in. I used to think love needed practice, that it happened slowly. But love is instinct. He loved me, and I loved him. And yet I hated him, and he hated me. I hated his hypocrisy; he hated my bluntness, my “shamelessness.” I brought him trouble; I wasn’t docile; I couldn’t be tamed, much less play the “secret mistress.” People say most Bay Area marriages are open—I doubt it. I can’t share. I can’t be silent. I can’t be the woman who quietly supports a man. He could support me—but with an ego that big? Unlikely. He needs a woman who tolerates him. I need someone who accepts me completely. We don’t need each other.


As of the sixth time. That's a story for another time.




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I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。