DATE

3/15/2025

TIME

LOCATION

Oakland, CA

From Journeys through Bookland by Charles Herbert Sylvester (Bellows-Reeve Company Publishers, Chicago, 1922)

Who I am #3. Hide 

DATE

3/15/2025

TIME

LOCATION

Oakland, CA

From Journeys through Bookland by Charles Herbert Sylvester (Bellows-Reeve Company Publishers, Chicago, 1922)

Who I am #3. Hide 

DATE

3/15/2025

TIME

LOCATION

Oakland, CA

From Journeys through Bookland by Charles Herbert Sylvester (Bellows-Reeve Company Publishers, Chicago, 1922)

Who I am #3. Hide 

I guess as I’m explaining who I am, part of me wants to hide, i’ve explained this before, the manic, and the depressive. Anything sort of creative exploration involves exposure and introspection, and from a lot of my recent introspection, I have a lot of anger, a huge amount of hate, and pretty much endless sadness. 

I honestly don’t think there’s anything wrong with anger, hate or sadness since I can’t talk myself into thinking I’m wrong, I have them all. We are not supposed to be perfect, i’m not supposed to be perfect. I’m not perfect, the imperfections are part of me. They are what makes me, human. So i can feel, so i can dance, so i can cry, so i can lie. 

My dad always tells me this is wrong, that’s wrong, this is right, but not exactly how you do it, you should do it like this, how i do it, but not quite, like this. I learned the kids these day call this mansplaining, if this was a crime, for all I know, he’d be jailed for life. 

What’s right, what’s wrong, who says? You? You sitting high up on your throne? Trying to fit me in a box, black or white, left or right, up or down, front or back. Is that why she’s like that? Is that why she hates me? No, no i won’t. I won’t fit in your limited imagination, your dichotomy of patriarchy, your misogyny, your manipulation. This is me, all of me, all faces, the good, the bad, the vengeance, the evil, the lies and the cheats, out in the open, in a language you don’t speak. What you gonna do? After all the hours you spent examining me, coming up with devious ways to train me, tame me, you still, don’t know nothing at all. 

我想,当我试着解释我是谁的时候,我的某一部分其实是想藏起来的。我之前就说过了,那种狂躁,还有抑郁。任何形式的创造性探索都会涉及暴露和自省,而从我最近很多的自省来看,我内心有很多愤怒、一大堆仇恨,以及几乎无尽的悲伤。

说实话,我并不觉得愤怒、仇恨或悲伤有什么错,因为我根本说服不了自己它们是错的,我就是有这些情绪。我们本来就不该是完美的,我也不该是完美的。我不完美,这些不完美是我一部分。正是它们,让我成为一个人。让我可以感受、可以跳舞、可以哭泣、也可以撒谎。

我爸总是跟我说,这不对、那不对,这样才对,但不是你做的那样,你应该这样做,像我一样,但又不完全是,要像这样。我后来才知道,现在的年轻人把这叫做“mansplaining”(男性自以为是地解释一切)。如果这是一种罪行,那我爸恐怕早就被判无期徒刑了。

什么是对,什么是错,谁说了算?你吗?你坐在你那高高在上的王座上?你想把我塞进死板的框架里——黑还是白,左还是右,上还是下,前还是后。她是因为这个才变成那样的吗?她是因为这个才恨我的吗?不,我不会的。我不会塞进你那有限的想象里,不会落入你父权制的二元对立,你的厌女症,你的操控逻辑。这就是我,我的全部,所有的面貌——好的、坏的、复仇的、邪恶的、撒谎的、骗人的,全部赤裸裸地摊开在你听不懂的语言里。那你打算怎么办?

在你花了那么多时间研究我、设计各种阴狠方法训练我、驯服我之后,你——还是什么都不懂。

我想,当我试着解释我是谁的时候,我的某一部分其实是想藏起来的。我之前就说过了,那种狂躁,还有抑郁。任何形式的创造性探索都会涉及暴露和自省,而从我最近很多的自省来看,我内心有很多愤怒、一大堆仇恨,以及几乎无尽的悲伤。

说实话,我并不觉得愤怒、仇恨或悲伤有什么错,因为我根本说服不了自己它们是错的,我就是有这些情绪。我们本来就不该是完美的,我也不该是完美的。我不完美,这些不完美是我一部分。正是它们,让我成为一个人。让我可以感受、可以跳舞、可以哭泣、也可以撒谎。

我爸总是跟我说,这不对、那不对,这样才对,但不是你做的那样,你应该这样做,像我一样,但又不完全是,要像这样。我后来才知道,现在的年轻人把这叫做“mansplaining”(男性自以为是地解释一切)。如果这是一种罪行,那我爸恐怕早就被判无期徒刑了。

什么是对,什么是错,谁说了算?你吗?你坐在你那高高在上的王座上?你想把我塞进死板的框架里——黑还是白,左还是右,上还是下,前还是后。她是因为这个才变成那样的吗?她是因为这个才恨我的吗?不,我不会的。我不会塞进你那有限的想象里,不会落入你父权制的二元对立,你的厌女症,你的操控逻辑。这就是我,我的全部,所有的面貌——好的、坏的、复仇的、邪恶的、撒谎的、骗人的,全部赤裸裸地摊开在你听不懂的语言里。那你打算怎么办?

在你花了那么多时间研究我、设计各种阴狠方法训练我、驯服我之后,你——还是什么都不懂。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。