Created on

2

/

13

/

2026

,

21

:

56

Updated on

2

/

15

/

2026

,

1

:

16

Epstein(VIIII): Victoria's Secret

爱泼斯坦 (九):维多利亚的秘密

Victoria's Secret model on runway
Victoria's Secret model on runway
Victoria's Secret model on runway

Preface: This was written in collaboration with Gemini.


When I first went to Victoria’s Secret as a teenager, I thought it was a very nice experience. I went in, I wasn’t sure what my size was, an associate helped me. While I was trying on some bras, she came by and asked me what sizes I needed. I wasn't sure, so she came in and took a look. I didn’t know what cup I was up to until that point. It felt safe, comfortable, and in the end even though the quality of the bras weren’t supreme, they were good enough, and certainly looked cute, though I’m not sure if wearing that kinda push-up bra was a good idea for a teenager. It was recommended by the sales associate, and I did wear it for a while. It struck me like kinda rich wife shopping for lingerie, but it was made to cater younger girls with Pink. Thinking back, no one should be recommending a 17-year-old pushup bras (I was 17 freshman year), yet they did, and they did it in a way that was non-invasive way, through which they were able to sell me this concept of I needed it to look better, and they were the experts on this, and I paid them for that service I didn’t need. I wore those bras for a year or so, and eventually gave up on them, since they were not that comfortable, and I didn’t think I needed to make my boobs big. I wasn't sure which aspect of my life it was going to help with.

Either way, Wexner seemed to understand women better than men. He understood women’s position in society: pretty, useless, well-behaved dolls, and in his opinions, it seems, it would be toward their best interests to stay vain, superficial, dumb, inconsiderate and all they cared about should be who’s sexier. The business model spoke to me as “do your squats, and eat your vegetables, don’t let the boys be mean to you”, aka, enjoy your time, and spend your boy’s money on looking pretty, so you can make them spend more money on you. Wexner “understood” girls in such a matter-of-fact, superficial kind of way. He realized that to sell underwear to every woman in America, he couldn't just sell a garment—he had to sell a lifestyle. So back in the 1990s, he and his chief marketing officer, Ed Razek, transformed Victoria's Secret from a mall store into a global entertainment brand by creating the "Supermodel" era. In 1995, Wexner launched the first Victoria's Secret Fashion Show at the Plaza Hotel in New York. Early shows were modest (think satin slips and cardigans), but Wexner quickly realized that the more "theatrical" the show became, the more the brand's sales spiked. By 1999, he bought a $1.5 million Super Bowl ad to announce a 72-hour countdown to the show’s first webcast. It was so popular it famously "broke the internet," with 1.5 million people trying to watch at once—overwhelming 1999-era servers. In 1997, the brand launched a line called "Angels." It was so successful that they decided to make the name permanent for their top-tier contracted models. Wings didn't appear until 1998, when Tyra Banks wore the first pair. Wexner loved the visual because it made the models look like "ethereal beings" rather than just catalog models. Unlike other models who worked for many brands, "Angels" were signed to exclusive multi-million dollar contracts. They became the public faces of the company, doing talk show circuits and ribbon cuttings. Wexner’s "Golden Era" was defined by names like Heidi Klum, Tyra Banks, Gisele Bündchen, Adriana Lima, and Alessandra Ambrosio.

Wexner was also a marketing genius, who pioneered several marketing "stunts" that are now legendary in retail history. Starting in 1996 with Claudia Schiffer, the brand began featuring a "Fantasy Bra" encrusted with real diamonds and rubies. By 2000, Gisele Bündchen wore one valued at $15 million, earning a Guinness World Record. To make the Ohio-based company feel more prestigious, Wexner insisted the catalogs and stores feel like they were based in London. He even gave the models "English-sounding" backstories in early press materials. Wexner designed the stores to feel like "the world’s most beautiful bedroom," using specific lighting and a signature "Victoria’s Secret" scent pumped through the vents to trigger an emotional response in shoppers.

While this strategy made Wexner a multi-billionaire, it eventually led to the brand's decline in the late 2010s. The "fantasy" that Wexner built was increasingly criticized for being unrealistic, non-inclusive, and catering more to the "male gaze" than to the modern woman’s needs. This, combined with his ties to Jeffrey Epstein (who reportedly used his connection to Wexner to pose as a Victoria's Secret talent scout), eventually forced the show's cancellation in 2019 and Wexner's departure from the company in 2020.

After Leslie Wexner stepped down in 2020, Victoria’s Secret faced a massive identity crisis. The "Wexner Model"—which relied on ultra-thin supermodels and a "male fantasy" aesthetic—was no longer selling. To save the brand, the new leadership (now under CEO Hillary Super as of 2025) launched a radical, "woke" rebrand that moved away from Wexner's legacy. In 2021, the brand officially "retired" the Angels. In their place, they created the VS Collective, a group of women chosen for their accomplishments rather than just their looks. Instead of Gisele and Heidi Klum, the brand signed women like soccer star Megan Rapinoe, actress Priyanka Chopra, and world-class skier Eileen Gu. They integrated models of all sizes, ages, and backgrounds, including Paloma Elsesser (plus-size), Valentina Sampaio (the first openly transgender model), and Sofía Jirau (the first model with Down syndrome).

After a six-year hiatus following the Wexner/Epstein scandal, the iconic Fashion Show returned in October 2024, followed by an even larger production in October 2025. The 2025 show was livestreamed on Amazon Live and featured a mix of "OG" Angels (like Tyra Banks and Adriana Lima) and modern icons (like Ashley Graham and Alex Consani). To distance themselves from the old "male gaze" criticism, the 2024 and 2025 shows featured all-female musical lineups, including Cher, Missy Elliott, and K-pop stars Twice. In 2025, the brand leaned heavily into sports culture, signing WNBA star Angel Reese as a major face of the brand, signaling a shift toward athleticism and strength over "fragile" beauty.

To fully escape the shadow of Leslie Wexner’s personal controversies, the company underwent a major structural split. In 2021, L Brands split into two separate public companies: Bath & Body Works and Victoria’s Secret & Co. This effectively severed the lingerie brand's formal ties to Wexner's other businesses. Under Wexner, the board was criticized for being "too male and too white." Though, I wouldn’t say it was too “male”, it was definitely very “female”, yet it’s “female” in a way that positions “female" in a “male-centric” economy, when in reality it could just be a “human-centric” economy, females and males alike. However, today, the board is majority-female, a symbolic and practical move to ensure the brand's products are designed by women for women.

While the rebrand initially struggled (sales dropped by nearly $1 billion as loyalists were confused and critics felt it was "performative"), the company began seeing a financial turnaround by early 2026. In February 2026, the company reported a 4% uptick in same-store sales—the first sustained growth since the pre-2017 decline. This current strategy focuses on "high-emotion storytelling" and less frequent discounting, moving Victoria's Secret back toward being a premium brand rather than just a mall commodity. As of today, Victoria's Secret is in a "hybrid" state. It has kept the "glamour" of the Wexner era (the wings and the big shows) but stripped away the "exclusive" feeling. It is trying to be "The World's Leading Advocate for Women"—a far cry from the Victorian boudoir Roy Raymond started and Les Wexner built. Is it going to succeed in rebuilding this brand and turn everything around? I’m not so sure.  

Beyond his retail empire, Leslie Wexner’s life has been defined by his role as a "master builder" of communities and a significant force in philanthropy. His influence is most visible in his home state of Ohio, where he has reshaped the physical and cultural landscape. In the mid-1980s, Wexner and developer Jack Kessler founded The New Albany Company. What began as Wexner’s desire to build a "home in the country" evolved into one of the most successful planned communities in the United States. Wexner scouting locations around Columbus but chose New Albany because it was "unbuilt" and could be changed. He implemented a master plan that required thousands of homes to be built in a specific Georgian architectural style. He developed the New Albany International Business Park, a 6,000-acre site that has attracted over $8 billion in private investment and major employers, including a massive "Beauty & Personal Care Campus" where products for his brands were manufactured.

Wexner is the primary benefactor for several major institutions at The Ohio State University (OSU), his alma mater. He has donated hundreds of millions of dollars to OSU’s medical wing, now one of the highest-ranked academic health centers in the country. Opened in 1989, "Wexner Center for the Arts" was designed by architect Peter Eisenman. It was a pioneering multidisciplinary contemporary arts center on a university campus and helped turn Columbus into a cultural destination. Wexner was the visionary and primary funder for National Veterans Memorial and Museum, in Columbus, which focuses on the personal stories and memories of veterans.

Established in 1984, The Wexner Foundation has invested hundreds of millions into developing Jewish leaders. Provides intensive Jewish learning for North American volunteer leaders to deepen their understanding of history and values. Every year, the foundation sends mid-career Israeli public officials to Harvard’s Kennedy School of Government for leadership training. Alumni include top generals, advisors to Prime Ministers, and government directors. Wexner has been a fixture in elite corporate and cultural boardrooms for decades, serving on the boards of Sotheby’s (the auction house), The Whitney Museum of American Art, The American Ballet Theatre, and Hollinger International (alongside figures like Henry Kissinger).

While his business career is what made him a billionaire, Wexner often describes himself as a "specialist" who applied the same rigorous focus to architecture and community building that he did to selling sweaters. He attended Bexley High School and graduated from Ohio State in 1959. Though he briefly attended law school, he dropped out to help with his family's clothing store. He served in the Air National Guard after college. He has received prestigious awards including the Woodrow Wilson Award for Citizenship and the Ordre des Arts et des Lettres from France. When Leslie Wexner and Jeffrey Epstein first met in the late 1980s (specifically 1987, when Epstein began serving as his financial manager), Leslie Wexner, born September 8, 1937, was 50 years old, Jeffrey Epstein, born January 20, 1953, was 34 years old. By the age of 50 in 1987, Leslie Wexner had already become one of the most powerful and wealthy figures in the history of American retail. By 1987, Wexner was widely recognized as the "richest man in Ohio." He had reached a level of success that allowed him to hire a personal money manager—which is exactly when he met and hired Jeffrey Epstein. ☀️

写在前面:这篇文章由 Gemini 协作完成,原文为英文。


在我还是个十几岁的少女时,第一次去维多利亚的秘密(Victoria's Secret)购物,那次体验其实挺棒的。我走进去,不太确定自己的尺寸,一位店员过来帮了我。当我在试衣间试穿时,她过来询问是否需要更换尺码。因为我拿不准,她便进来帮我看了看。直到那一刻,我才真正搞清楚自己到底穿什么罩杯。当时感觉很安全、很舒服。虽然最后买到的内衣质量算不上顶级,但也过得去,而且样子确实很可爱——尽管现在回想起来,让一个十几岁的孩子穿那种聚拢型(push-up)内衣可能并不是个好主意。但那是店员推荐的,我也确实穿了一阵子。

那感觉有点像有钱太太在挑选内衣,但它又是专门通过 Pink 系列来迎合年轻女孩的。回过头看,其实没人应该给一个 17 岁的孩子推荐聚拢内衣(我大一那年才 17 岁),但他们确实这么做了,而且做得非常自然、不具侵略性。通过这种方式,他们成功地向我推销了一个观念:我需要这件内衣才能看起来更美。他们扮演着专家的角色,而我则为这种并不需要的“服务”买了单。那些内衣我穿了一年左右最终还是放弃了,因为它们并不怎么舒服,而且我也不觉得非要把胸部显大不可。我实在想不出这样做到底能对我生活的哪方面有所帮助。

不管怎么说,韦克斯纳(Les Wexner)似乎比男人更了解女人。他看透了女性在社会中的位置:漂亮、无用、听话的洋娃娃。在他看来,女性最好一直保持虚荣、肤浅、无脑且不顾他人,满脑子只需关心谁更性感。这种商业模式传达给我的信息就像是:“多做深蹲,多吃蔬菜,别让男孩子们欺负你。”换句话说,就是享受当下,把男人的钱花在打扮自己上,好让他们愿意为你花更多的钱。

韦克斯纳对女孩的“了解”是那种理所当然且流于表面的。他意识到,要把内衣卖给全美国的女性,不能只卖一件衣服,得卖一种生活方式。于是,在 20 世纪 90 年代,他和首席营销官埃德·拉泽克(Ed Razek)将维密从一家商场小店转型为全球娱乐品牌,开启了“超模”时代。

1995 年,韦克斯纳在纽约广场饭店举办了首场维密时装秀。早期的秀还很朴素(多是缎面睡裙和针织衫),但他很快发现,秀做得越有“戏剧性”,销量就飙升得越厉害。到 1999 年,他豪掷 150 万美元买下超级碗广告,为首场网络直播倒计时 72 小时。那次直播大获成功,但也“挤爆了互联网”,150 万人同时涌入,直接瘫痪了当时的服务器。

1997 年,品牌推出了“天使”(Angels)系列。由于极其成功,他们决定将这个名字永久保留给那些顶尖的签约模特。标志性的“翅膀”直到 1998 年才出现,第一对是由泰拉·班克斯(Tyra Banks)佩戴的。韦克斯纳很喜欢这种视觉效果,因为这让模特看起来像是“超凡脱俗的神人”,而不仅仅是画册上的模特。不同于接百家活儿的其他模特,“天使”们签的是数百万美元的排他性合同。她们成了公司的门面,四处参加脱口秀和剪彩活动。韦克斯纳的“黄金时代”是由海蒂·克拉姆、吉赛尔·邦辰、阿德里亚娜·利马等名字定义的。

韦克斯纳也是个营销天才,开创了许多零售史上的传奇桥段。从 1996 年的克劳迪娅·希弗开始,品牌每年都会推出镶嵌真钻石和红宝石的“梦幻内衣”(Fantasy Bra)。到 2000 年,吉赛尔·邦辰穿的那件价值 1500 万美元,创下了吉尼斯世界纪录。为了让这家总部位于俄亥俄州的公司显得更高大上,韦克斯纳坚持让画册和门店营造出一种身在伦敦的感觉。他甚至在早期的宣传资料里给模特编造了“听起来很英国”的背景故事。他把商店设计成“世界上最美丽的卧室”,利用特定的灯光和通过通风口喷洒的招牌香氛,来触发消费者的情感共鸣。

虽然这套策略让韦克斯纳成了亿万富翁,但最终也在 2010 年代后期导致了品牌的衰落。他构建的“幻想”被指责为不切实际、缺乏包容性,且更多是在迎合“男性凝视”,而非现代女性的需求。加之他与杰弗里·爱泼斯坦(Jeffrey Epstein)的瓜葛(据报道,爱泼斯坦曾利用这层关系冒充维密星探),最终导致大秀在 2019 年停办,韦克斯纳也于 2020 年离开了公司。

在韦克斯纳下台后,维密面临着严重的身份危机。那种依赖骨感超模和“男性幻想”审美的方式失灵了。为了自救,新领导层(截至 2025 年由 CEO 希拉里·苏皮尔领导)开启了激进的“觉醒”式品牌重塑。2021 年,品牌正式告别了“天使”称号。取而代之的是“VS Collective”,这是一群因成就而非仅仅因美貌被选中的女性。品牌不再只签吉赛尔,而是签下了足球明星梅根·拉皮诺埃、演员普里扬卡·乔普拉和滑雪冠军谷爱凌。她们纳入了各种体型、年龄和背景的模特,包括大码模特、跨性别模特以及首位患有唐氏综合征的模特。

在爱泼斯坦丑闻导致大秀停办六年后,这场标志性的秀在 2024 年 10 月回归,2025 年 10 月规模更大。2025 年的秀在亚马逊直播,既有泰拉·班克斯等老牌“天使”,也有当红的新人。为了摆脱“男性凝视”的批评,这两年的大秀都采用了纯女性音乐人阵容,包括 Cher 和 Missy Elliott 以及 K-pop 组合 Twice。2026 年,品牌重金押注运动文化,签约 WNBA 球星安吉尔·里斯(Angel Reese)为主要面孔,标志着品牌正转向强调力量美。

为了彻底走出韦克斯纳个人争议的阴影,公司进行了大拆分。2021 年,原公司拆分为“沐浴与身体工程”和“维多利亚的秘密”两家独立的上市公司。这实际上切断了维密与韦克斯纳其他业务的正式联系。在韦克斯纳时期,董事会常被批评“太白太男性化”。不过在我看来,它其实一直非常“女性化”,只是这种女性化是把女性置于“以男性为中心”的经济体系中。而现实中,它本可以是一个“以人为中心”的体系,无论男女。现在的董事会多数成员为女性,这一举措象征着品牌开始真正致力于“由女性为女性设计”。

尽管品牌重塑初期经历了一段阵痛(老客户感到困惑,批评者觉得在作秀,销量下滑了近 10 亿美元),但到 2026 年初,公司开始看到转机。2026 年 2 月,公司报告店面销量增长了 4%,这是自 2017 年以来的首次持续增长。目前的策略专注于“情感叙事”并减少打折频率,试图让维密回归高端品牌。时至今日,维密处于一种“混合”状态。它保留了韦克斯纳时代的“华丽感”(翅膀和大秀),但剥离了那种“排外”的气息。它试图成为“全球女性的首席倡导者”,这与罗伊·雷蒙德创立、莱斯·韦克斯纳打造的那个“维多利亚时代的私密卧室”已相去甚远。这种重塑能否彻底扭转乾坤?我还不确定。

除了零售帝国,韦克斯纳的人生还被定义为社区的“大师级建筑师”和慈善力量。他在家乡俄亥俄州的影响力随处可见。80 年代中期,他创办了新奥尔巴尼公司(The New Albany Company)。起初他只是想在乡下盖个房子,结果最后演变成美国最成功的规划社区之一。他制定了总体规划,要求数千栋房屋必须符合特定的乔治亚建筑风格,并开发了吸引超过 80 亿美元投资的国际商业园区,其中甚至包括一个专门为他旗下品牌生产产品的“美容护理园区”。

韦克斯纳是他母校俄亥俄州立大学(OSU)的主要资助者。他向该校医学院捐赠了数亿美元,该中心现已成为全美顶尖的学术医疗中心。1989 年落成的“韦克斯纳艺术中心”由建筑大师彼得·艾森曼设计,不仅是校园内的先锋艺术中心,更让哥伦布市成为了文化地标。他还是国家退伍军人纪念馆及博物馆的远见者和主要出资人。

成立于 1984 年的韦克斯纳基金会投入数亿资金培养犹太领导者,每年都会资助以色列中层官员前往哈佛肯尼迪学院接受培训。校友中不乏顶级将领和政府要员。韦克斯纳几十年来一直是顶级商业和文化圈的核心人物,曾任苏富比、惠特尼美国艺术博物馆等机构的董事。

虽然商业让他成为了亿万富翁,但韦克斯纳常称自己为“专家”,他将卖毛衣时那种严谨的专注力同样应用到了建筑和社区建设上。他出身平民,曾短暂读过法律,后来辍学回家帮父母打理服装店。他获得过伍德罗·威尔逊公民奖以及法国艺术与文学勋章。

当莱斯·韦克斯纳和杰弗里·爱泼斯坦在 80 年代后期(1987 年)初次见面时,生于 1937 年的韦克斯纳 50 岁,而生于 1953 年的爱泼斯坦 34 岁。那时的韦克斯纳已经成为美国零售史上最有权势的人物之一,公认的“俄亥俄州首富”。他当时的成功水平已经到了需要聘请私人理财经理的地步——就在那个节点,他遇见并雇佣了杰弗里·爱泼斯坦。☀️

sunny.xiaoxin.sun@doubletakefilmllc.com

Sunny Xiaoxin Sun's IMDb


©2025 Double Take Film, All rights reserved

I’m an independent creator based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world. Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是base湾区的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunny.xiaoxin.sun@doubletakefilmllc.com

Sunny Xiaoxin Sun's IMDb


©2025 Double Take Film, All rights reserved

I’m an independent creator based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world. Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是base湾区的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunny.xiaoxin.sun@doubletakefilmllc.com

Sunny Xiaoxin Sun's IMDb


©2025 Double Take Film, All rights reserved

I’m an independent creator based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world. Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是base湾区的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

PRODUCT

Design

Content

Publish

RESOURCES

Blog

Careers

Docs

About