DATE

3/26/25

TIME

6:36 AM

42 E Lane Ave

PART. 11 42 E Lane Ave

The beginning of sophomore year, I decided to not have roommates and live alone. I moved into a studio on lane ave, across from the Student Union. The same year, I started working at Wexner Medical Center to basically just hang out with Jisoo more. I started barely seeing her after we moved out of our dorm rooms. Our classes were always across the campus from each other, getting dinner was starting to get difficult too. I decided to just live in the apartment next door to her, and work at the same place she works at. I guess I’m quite consistent with how I am when I like someone. I just want to be around them all the time. 

Jisoo was always so insecure about her face, she thinks it’s not good looking enough. She always spent a long time drawing thick eyeliner to make her eyes look sharp and observant, when in reality she’s sort of clueless and overly self-conscious. To me, she’s beautiful. She’s edgy, decisive, hard-headed, and bold. But she’s also shy, insecure, and self-sabotages too much. She has a strong Korean identity only to return to Seoul to realize that for how much it's changed, she’s more American now. She’d always talk about how her mom tells her she should get “her face fixed”, which was insane to me, because why would you ever say that to your child? She would want to try creative things, but still ended up doing dental to be safe. She eventually gave in to her mom and got plastic surgery. I was disappointed. I stopped talking to her. 

Around the same time, she was starting to be around people I no longer knew. She cut off everyone she met from freshman year, and wanted to scratch everything, start fresh with her new face. If our connections with people could be scratched like that it wouldn’t be real connections. Whatever she seemed to believe, everyone continued to wonder where she went and what she’s doing. I stopped caring at one point, and stopped bringing it up. I was like, fuck it. I guess I will just do something else. Something new, something I’ve never done before, that's way better, way more fun, and meeting people I like more. It’s college. I don’t need this melodrama.


PART. 12 Student Clubs

I wanted to be exposed to the student organization scene on campus. I wasn’t sure what these people did, but every year, I’d always walk into all these booths on the oval, promoting their clubs. At first I joined Hosteling International, to get a discount when I travel. I went to a few meetings of all the east asian student associations on campus, and soon decided that I’d much rather just drink or party with them than hosting activities with them.

Every birthday seemed to be a big deal, more or less just an excuse for people to get together and get wasted. On my 20th birthday, we had a huge party at a bar across from high street, I believe it’s still called Gateway. We had the top floor crammed with over a hundred people. There were themes, too. I believe something to do with a sash. Daiga had participated in some silly pageant and won Mr. Asia. They thought it’d be funny if they all wore an Mr/Miss something sash. I was always bad at these theme parties. If you are going to peer pressure me into wearing a pair of boxers, I’d rather not go. But for some reason, I did agree to that one time (iirc). 

For a lot of these kids, they had grown up being around very few kids that looked like them, so being around people of the same heritage was very exciting. I could imagine, except I had spent my entire life with my own people up until that point. I’d tag along to some conferences with them that gathered all the kids of the same heritage from all the big schools in the midwest. I’d be the only one there who’s not Filipino, Japanese, Korean, Taiwanese or whatever they were. I couldn’t care less, I was there for the party. 

Some of these parties were intimidating to me. I didn’t like being peer pressured into being intimate with people I just met, but that seemed to be all some of them wanted to do. It’s college, I get it. It’s fun, I get it. But not me, I’m good. I respect it though. It always goes how you expect a room packed of very sexually active drunk college kids, and I always leave when it gets too awkward, only to hear all about it when I wake up the next morning anyway. After a while, that got old too.


PART. 13. What is Creativity?

I somehow stumbled upon a dance practice somewhere in the basement of Ohio Union. I was trying everything, so I gave that a try too. I got into this performance they are doing, for a small cultural event. They wanted to do this Kpop song. I was like, Kpop, I know, my friends in Tahoe used to tell me all about Miss A. No problem, I did all the research, got heels, and I danced on a stage with them, with people watching, and taking videos of me. I was a bit dumbfounded through the entire experience. 

I’m a shy person. I am just as shy as I’ve always been, but I've now learned to embrace it, and be honest instead of uncomfortable. I didn’t know how to manage back then. I still wanted to try it. To my surprise, I liked it. Music, dance, language, tempo, color, sound, and emotions are the most primal human things anyone could enjoy. There doesn’t need to be a stage, it doesn’t have to be a performance, as long as we are together, relaxed, enjoying ourselves. 

I did like the attention aspect of it as well. I learned that I’d otherwise want absolutely no attention, unless it has something to do with my creative expression, then I want all attention on me. Please listen to me, talk to me, let me know what you think, how does this make you feel, what do you see in it about me? How can we make this better? Will people like it? Can I do it this way, will it make you feel that way? Do you see what I’m saying? Do you see what I’m trying to do? Isn’t this so new and experimental?




PART. 11  42 E Lane Ave

大二开学的时候,我决定不再合租,要自己住。我搬进了Lane Ave上的一个单间,就在学生会对面。那一年,我也开始在Wexner Medical Center打工,基本上就是为了可以多跟Jisoo待在一起。我们搬出宿舍后,几乎见不到面了,我们的课总是在校园的两头,连一起吃个晚饭都开始变得困难。我干脆搬到她隔壁的公寓,去她工作的地方上班。我想我一旦喜欢上某个人,就是这样,很一致:只想一直待在她身边。

Jisoo总是对自己的脸很不自信,她觉得自己不好看。她每次都会花很久画粗眼线,让自己的眼睛看起来又锐利又聪明,但实际上她总是有点迷糊、太过在意自己的样子。对我来说,她很美。她有锋芒、果断、固执、大胆。但她也害羞、不安,总是自我破坏。她有很强的韩国身份认同,直到有次回首尔才意识到,那地方变了太多,她其实已经更像美国人了。她常常说起她妈妈对她说应该“整整她的脸”,我听了简直震惊,怎么会有人对自己的孩子说这种话?她也曾想尝试创意性的事情,但最后还是为了安全感选择了牙科。她最终还是妥协了,听了妈妈的话去做了整容。我很失望,我不再跟她说话了。

差不多同一时间,她也开始和我不认识的人混在一起。她切断了和所有大一时认识的人的联系,想把一切归零,用她的新面貌重新开始。如果人与人之间的关系可以像这样轻易被抹除,那也就不是“关系”了。无论她自己信不信,大家都还在问她去哪了,现在在做什么。有一阵我也不在乎了,也不再提起。我心里想,算了吧,那我去做点别的事,新的,从来没试过的、但会更好、更有趣的,去认识更喜欢的人。这可是大学啊,我不需要这点狗血剧情。


PART. 12 Student Clubs

我想了解一下校园里的学生组织圈子。我不知道这些人到底在干嘛,但每年我都会走进Oval广场上这些推广摊位,看看他们在宣传什么社团。一开始我加入了Hosteling International,就是为了以后旅行可以打折。我去过几次校园里各种东亚学生组织的会议,后来很快决定:我宁愿跟他们喝酒、开趴,也不想和他们一起筹办活动。

每次生日都好像是大事,说白了就是找个理由大家聚在一起喝到烂醉。我20岁生日的时候,我们在High Street对面一家酒吧(我记得现在还叫Gateway)办了个大趴,包下了顶楼,挤进了一百多人。还有主题,好像是要戴肩带绶带。Daiga当时参加了某个傻乎乎的选美活动,还赢了个“Mr. Asia”。他们觉得很好笑,就提议每个人都戴个“Mr/Miss 什么”的绶带。我一向不擅长这种主题派对。如果你非要逼我穿男士四角裤才能入场,那我宁愿不去。但不知为什么,我那次居然答应了(如果我没记错的话)。很多人小时候身边几乎没什么和自己长得像的同龄人,所以能和同文化背景的人一起,确实会很兴奋。我能理解,只是我在那之前一直都生活在自己的“本族人”堆里。我也跟着他们去过几个conference,把中西部各大高校的“自己人”聚在一起。我通常是唯一一个既不是菲律宾人、日本人、韩国人、台湾人,也不是其他什么人的人。但我毫不在意,我就是去玩的。

这些聚会对我来说有点压迫。有些人似乎只想在刚认识的情况下就变得亲密,我不太能接受。但我懂,这是大学,大家想开心,没问题。但我不行,我就不来这个。虽然我尊重这一切。现场基本上就像你能想象的一样:房间里塞满了性经验丰富的喝醉大学生,一切都按剧本发展。我通常在气氛变尴尬前先溜,然后第二天早上醒来还是会听说那些事。一阵子之后,我也腻了。


PART. 13 What is Creativity?

我不知怎么地,在Ohio Union地下室偶然撞进了一个舞蹈排练。我那时候什么都在试,所以也试试这个。我加入了他们为一个小型文化活动准备的表演。他们选了一首Kpop歌。我想:Kpop?我懂,我Tahoe的朋友以前总跟我讲Miss A的事。没问题,我做了所有功课,买了高跟鞋,最后和他们一起跳上了台,有人在台下看,有人在录像。整个过程我都觉得有点懵。

我是一个害羞的人。我一直都很害羞,但现在我学会了拥抱这件事,不再感到尴尬,而是选择诚实面对。我那时还不太会处理这些情绪。但我还是想试试看。出乎意料的是,我居然喜欢这种感觉。音乐、舞蹈、语言、节奏、颜色、声音、情绪——这些是最原始的人类表达。它不一定要有舞台,不一定要是表演,只要我们在一起,放松、享受。我也确实喜欢被关注的感觉。我发现,平时我一点都不想被注意,但只要跟我的创作表达有关,我就希望所有目光都集中在我身上。

请听我说,告诉我你的想法,你从中看到我什么?这是不是很新,很实验?每次说到这些,我都会喋喋不休。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。