DATE

5/9/25

TIME

4:32 AM

My Relationship With Love

我不确定我是否可以分辨爱,但我想,我比之前更靠近它。直到刚刚决定写这个题目,我发现我对“爱”完全没有我对“死亡”的理解深刻。这到底是为什么?是因为我从未思考过爱,是因为我一直被爱环绕而不自知、还是我从来没感受过真实的爱?

我不确定“爱”是什么。我妈说我是她最爱的人,但我几乎可以肯定,她更爱我爸。我妈对我的“爱”,似乎是可以任意摧残、打破我、损坏我、摔碎我、折磨我,只要不出人命就可以。这是爱吗?但她给一些小恩小惠,也声称会在我需要她的时候站在我这边,虽然我从来不记得她这么做过。

我爸从来不说爱我,但我知道他现在支持我。他声称他之前也想支持我,但他的支持,是有条件的。我必须达成“世俗”眼里的成功,我必须满足“世俗”眼里的好生活、好工作、好人生。我需要证明给他看,我可以。不然我就是错误的,需要纠正的、“思想没有转变过来的”。爱不是默认的,是需要证明的。不是无条件的,是有非常具体的条件的。他的急躁、咒骂、恨铁不成钢,根据他说,是爱。但是窒息的爱,是爱吗?它让我觉得不舒服、难受、没有生长和选择的空间,这是爱吗?我很怀疑。我不安、我觉得被贬低、不被理解,我想要爆炸、大吼,这是爱吗?

前男友曾在刚和我在一起一周就说爱我,吓得我提分手。他后来再也没说过。他说爱是一种感觉,但他的一切都是看感觉。在我看来,爱,应该比“感觉”这种来的快、去的快的东西,要更隽永、更坚实、更无法被改变、更多元、更深刻、更穿越时空、亘久。

《Interstellar》里我最讨厌的台词,就是安妮海瑟薇非得回去救Matt Damon的时候,说了一句类似“爱可以穿越时空”类似的话。我当时心想,这导演一定不懂物理。拍了这么多部深刻讨论物理数学的电影了,还在这里搞些不靠谱的浪漫主义。哪有什么可以穿越时空的物质。时空就是重力,重力就是时空。假设真有爱,可能不是3D世界的东西。情感,向来不是逻辑可以解释。

据说,我们生活在11维的世界,一切我们经历的都是11维世界在三维世界的投影。好像我们在一个泡泡的表面的膜上,而那层膜是三维世界。我们经历的一切,都是更高维度的信息穿透我们3D世界的投影。就好像风会让湖面波动,我们是湖面,无法理解水下,也无法理解天上。风吹来,我们会波动,但不是因为我们自己,是因为外界的风。

我想情感和意识大概也是类似的东西,像电一样,需要被induce,才能产生流动。而光,和时空、重力是一体的。如果时空发生扭曲,光也会。换句话说,被光照到的瞬间,所有维度的现实才产生。黑暗是混沌、是可能性、是潜力。而光照到黑暗的时候,一切可观测的现实就产生了。但不可观测的,不代表不存在,只代表还未被induce成可观测的、有规律的现实。

如此看来,“爱”大概也是更高维度的能量,穿透我们的时候,留下的残体。就好像量子纠缠,虽然看起来在3D世界,两颗粒子好像隔得很远,但在更高维度上,两个例子是在一起的。

这大概就是爱吧。爱,大概就是重新感知,我们本来就在一起的事实。



I’m not sure if I can tell what love is, but I think I’m closer to it than before. It wasn’t until I decided to write on this topic that I realized I have nowhere near the same depth of understanding of “love” as I do of “death.” Why is that? Is it because I’ve never thought seriously about love, because I’ve always been surrounded by love without knowing it, or because I’ve never truly experienced real love?

I’m not sure what “love” is. My mom says I’m the person she loves the most, but I’m almost certain she loves my dad more. The “love” my mom gives me seems to allow her to destroy me at will—break me, damage me, shatter me, torment me—as long as it doesn’t kill me, it’s fine. Is that love? But she offers small favors now and then and claims she would stand by me when I need her, though I don’t ever remember her actually doing that.

My dad never says he loves me, but I know he supports me now. He claims he’s always wanted to support me, but his support came with conditions. I had to achieve what the world defines as “success,” had to meet the standards of a “good life,” a “good job,” a “good future.” I needed to prove to him that I could do it. Not assumed—it had to be proven. Not unconditional—it came with very specific conditions. His impatience, his yelling, his “hating iron for not becoming steel,” according to him, was love. But suffocating love—is that love? It makes me feel uncomfortable, stifled, like I have no room to grow or choose. Is that love? I seriously doubt it. I feel anxious, belittled, misunderstood; I want to explode, to scream—is that love?

An ex-boyfriend once told me he loved me a week into our relationship, and I was so scared I broke up with him. He never said it again. He said love is a feeling. But everything about him was based on feelings. To me, love should be something more enduring, more solid, something that can’t be changed easily—more multidimensional, deeper, something that transcends time and space, something lasting.

My least favorite line in Interstellar is when Anne Hathaway insists on going back to save Matt Damon, saying something like “love can transcend time and space.” I remember thinking, this director clearly doesn’t understand physics. After making so many deeply scientific films, he still insists on inserting this kind of unrealistic romanticism. There is no substance that can transcend time and space. Space-time is gravity, gravity is space-time. If love does exist, it might not be a thing from the 3D world. Emotion has never been something logic can explain.

It is said that we live in an 11-dimensional universe, and everything we experience is the projection of that 11-dimensional world into our 3D reality. It’s as if we are living on the membrane of a bubble, and that membrane is the three-dimensional world. Everything we experience is a projection from a higher-dimensional reality into ours. Like wind causes ripples on the surface of a lake—we are the lake surface, unable to comprehend what’s under the water, nor what’s in the sky. When the wind blows, we ripple. But not because of ourselves—because of the wind from outside.

I think emotions and consciousness are probably similar—they are like electricity, which needs to be induced to create current. And light is one with space-time and gravity. If space-time is distorted, light is distorted. In other words, reality in all dimensions only comes into being in the moment light shines on it. Darkness is chaos, possibility, potential. When light shines into darkness, observable reality comes into being. But the unobservable doesn’t mean non-existent—it just means it hasn’t been induced into observable, patterned reality.

From this perspective, “love” might also be a higher-dimensional energy, and what’s left after it passes through us is only the residue. Like quantum entanglement: even if two particles appear far apart in our 3D world, in a higher dimension, they are together.

Maybe that’s what love is.

Love, perhaps, is the renewed awareness of a truth: we were together all along.

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。