DATE

7/7/25

TIME

7:19 PM

Scribbles On The Wall

7:18 PM

I’m a little agitated, I’m not sure why. Maybe it’s because of the strangers on the internet again, but they don’t feel like strangers, we’ve established some sort of contact. I don’t enjoy getting a green card and being here, but it’s even worse the other way around. The other way is good for retirement, bad for wanting an adventure. 

I don’t like writing monologues, scribbles on the wall that only I understand. But this whole time I thought I deserved what I had because I had worked hard for it, only to realize that I wouldn’t have had the skills I could leverage off if I had not been privileged. I was privileged, but not happy. I was lucky, but not ignorant. I’d rather be normal. I guess I was not trained to do that, so actually, complexity is now more familiar. I’m trained in chaos. I was told to be ambitious, or it’d be “lazy” and a very “unmotivated individual”, or a “shame to the family”. 

My dad was in the military, so was my grandpa. They definitely lived and talked like military men. The self-discipline they demonstrate, how strictly they stick to their principals, in an almost pain-inflicting way. I will never be able to do it, I'm a mere mortal. Is well-being a perspective? Can we measure past events in today’s perspective? Or not really? Is pain all about perspectives, relatively speaking, or is it about what we have, in an absolute sense? World hunger isn’t really a thing anymore, nobody is dying or being starved except in war zones, why do people still live unhappily? Do people live unhappily, or just me? I have no idea.


7:25 PM

I’m a little agitated, I’m not sure why. Perhaps it’s because my mom told me I should stop smoking marijuana because of the Opium War. That was opium, this is weed, I thought they were different things. Even if they were the same, what’s that gotta do with me? She sends me all this “information” she gathers from Deepseek, tells me I should stop smoking because it’s bad for pregnancy. Heck, she wants me to pull a baby out of my vagina ASAP, but she’s not offering the sperm, nor the womb, nor the care, nor the money, nor the responsibilities. My vagina, my womb, my husband's dick, your business?  How entitled does this bitch feel about my body? I have no idea.

How can I not hate my mom? She gave birth to me, and that disgusts me. Half of my blood is hers, and that makes me want to skin myself off. She’s so gross, I can’t believe we are related, I came out of her womb. We are as different as two people can be, we are as similar as a mother-and-daughter should be. I hate her, but I know I won’t be happy if she’s unhappy, I don’t want her to have just too much fun either, because I know she will rub it in my face. Like a proper asshole. It runs in the family, being an asshole.

She’s almost 60, but acts like she’s 24. I’m always surprised by her not double, but triple, quadruple, super malleable standards. She thinks she’s still the hot girl she used to be, but she’s ugly and old, inside and out. She doesn’t have my sympathy, she deserves everything she has. I don’t like her, but it won’t make me happy to pain her. I thought it would, but it didn’t. I’m the bigger person, even though I’m not. Not because I’m the bigger person actually, but because I know it won’t bring me peace. Plus, this is the best way to hurt you, isn’t it? Through my “creative expression”. Take that, bitch. Yes, “bitch” was a creative expression. Bitch.


7:53 PM

I’m a little agitated, I’m not sure why. Maybe because this dude is supposed to help me with my cocktail night, yet went MIA. I do not know if the night is still happening at his place, what’s his plan, why isn’t he responding to my texts? We were supposed to stay in touch, the thing is in a few days, is he holding this against me on purpose? He knows I need him to respond, and doesn't respond on purpose. Does he enjoy this power? It wouldn’t surprise me if he did. He should never know I wrote about this, unless he reads it. Should I cancel? Or should I wait? Am I being emotionally manipulated? It wouldn’t surprise me if I am. It wouldn’t be the first time. You have no idea.

Why is this person so hard to get hold of? Does he want me to reach out, or does he not want me to? Does he want to do this cocktail night, or does he not want to? Why does he confuse me, why is he being a difficult friend, shouldn’t friends be a little bit nicer and more consistent with each other? What is he procrastinating, what is there to procrastinate for? It’s just a message. He could also just pick up the phone. Why am I under the impression that he’s excited about it?  

My mom says I’m delusional. What I have are illusions, not reality. They never fought, I never was depressed. I didn’t hate them, and they loved and cared for me. No verbal abuse, no emotional manipulation, no late night fighting threatening to chop each other's hands off. It’s all imaginary, cuz clearly what I remember, they don’t remember at all.

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。