DATE

3/26/25

TIME

7:02 PM

LOCATION

Oakland, CA

我和世界有一点脱节

I’m a little out of sync with the world

DATE

3/26/25

TIME

7:02 PM

LOCATION

Oakland, CA

我和世界有一点脱节

I’m a little out of sync with the world

DATE

3/26/25

TIME

7:02 PM

LOCATION

Oakland, CA

我和世界有一点脱节

I’m a little out of sync with the world

我和世界有一点脱节。这是因为在情绪混乱的外部刺激下,我需要非常强大、复杂和封闭的内在自我,才能让我觉得不迷失。我需要在情绪混乱的时候,有可以逃避的地方、可以平复的地方。可以是书、可以电影、可以是任何让我着迷、并且完全投入的东西;“玩到着迷”是我的 defense mechinsm。 沉迷让我觉得安全、让我觉得可以忽视外界的一切。我的世界里,只有我、我喜欢的东西和我的思想、感官、情绪。

我和世界有一点脱节,我喜欢这种纯粹的感觉、我的世界不需要别的东西,只需要我和我喜欢的。我不关心其他,到现在也是。我不太理解trends,但是好像我喜欢的、最后也总还是还是会被许多人发现,虽然这并不会让我改变我的看法。这会让我的体验变糟糕、但我也总能找到让我舒服的方式。

I’m a little disconnected from the world. That’s because, under emotionally chaotic external stimuli, I need a strong, complex, and enclosed inner self to keep from feeling lost. I need somewhere to retreat to when emotions are overwhelming—somewhere to calm down. It could be books, could be films, could be anything that fascinates me and allows for full immersion. “Playing until I’m obsessed” is my defense mechanism. Obsession makes me feel safe—it lets me ignore everything outside. In my world, there’s only me, the things I love, and my thoughts, senses, emotions.

I’m a little disconnected from the world. I like that sense of purity—my world doesn’t need anything else. It just needs me and what I love. I don’t care much about anything else. Still don’t. I don’t really understand trends, but somehow, the things I like always end up being discovered by lots of people eventually. Not that it changes how I feel. It usually makes my experience worse—but I always find a way to make it comfortable again.

I’m a little disconnected from the world. That’s because, under emotionally chaotic external stimuli, I need a strong, complex, and enclosed inner self to keep from feeling lost. I need somewhere to retreat to when emotions are overwhelming—somewhere to calm down. It could be books, could be films, could be anything that fascinates me and allows for full immersion. “Playing until I’m obsessed” is my defense mechanism. Obsession makes me feel safe—it lets me ignore everything outside. In my world, there’s only me, the things I love, and my thoughts, senses, emotions.

I’m a little disconnected from the world. I like that sense of purity—my world doesn’t need anything else. It just needs me and what I love. I don’t care much about anything else. Still don’t. I don’t really understand trends, but somehow, the things I like always end up being discovered by lots of people eventually. Not that it changes how I feel. It usually makes my experience worse—but I always find a way to make it comfortable again.

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。