DATE

5/11/25

TIME

8:58 PM

LOCATION

Oakland, CA

为什么海王要被污名化

Why Does the King of the Ocean Have to Be Demonized?

DATE

5/11/25

TIME

8:58 PM

LOCATION

Oakland, CA

为什么海王要被污名化

Why Does the King of the Ocean Have to Be Demonized?

DATE

5/11/25

TIME

8:58 PM

LOCATION

Oakland, CA

为什么海王要被污名化

Why Does the King of the Ocean Have to Be Demonized?

为什么海王要被污名化?首先,海王这个词是怎么来的?我一直以为只是amber heard演的那个、因为和Johnny Depp打官司打输了、被迫第二部不能上的电影的男主角的名字,Jason Momoa演的。很久之后才发现,好像大家说的不是在我想的那件事。海王是说,和很多人date的男生?且让每个人觉得自己是唯一?虽然她们也知道她们不是?嗯?那我认识的每个美国男生都是海王?我对海王没什么歧视,可能顶多就说句“厉害厉害厉害”,但你要装逼你不是就挺傻逼了。

除开真的就是海王的,剩下的可能是希望可以是、但其实时间管理不行、情绪价值提供能力也不够的,和真的懒得海的。当海王这技能都被日本产业化成男公关产业了,看来也是有效、有价值的技能,不然男公关那百万年薪不是钱吗、不是价值吗。对方觉得有价值,才用对应的价值交换啊。为啥污名化有效技能,是我的疑问。这些人,是对哪些人造成了影响?

为啥是海?好像读大学的时候回国,开始听到“渔场管理”这个词。我心想,啥叫渔场?是默认只能有一条鱼吗?为啥不能多线操作?我不懂。我想出去吃饭,我只能给你发消息,不能给别人发?看谁先回?不然呢?难道我等?十分钟没人回我自己去吃了,我真的很容易饿。要不然你们拉个群也可以,我每次问群。这招试过,结果很尴尬。这怎么就渔场了、怎么歧视重视效率的人?怎么,现在升级成海了?问号脸。这是,赞美吗?应该不是说我这种人吧。我暗暗想,应该不是、肯定不是。哪可能、别太看高自己了。

上班的时候,我和某制片经理聊天,我俩八卦了半天。她跟我说某某渣女,列举了一大堆事迹。我问为啥渣,她接着又形容了一大堆,我点头,哦,原来这叫渣女。她说,你不知道?该不会你自己就是吧?我虽然不知道到底她在说什么,但听上去不太妙、我立刻否认:应该不是。我很好奇,啥叫渣女??渣女的话,字面意思,应该是渣滓、糟粕?虽然渣滓和糟粕各有所用,我也很喜欢糟粕火锅、很好吃、海南的。但一般人用这两个词应该是说,没人要的东西。残渣剩饭,由此看来,剩女也是同样带歧视性的词语。都是别人不想要的、留下的是因为没价值的意思。但渣男,在我观察看来:似乎很多人要?那对应的渣女,是有人要还是没人要呢?我搞不清楚这个词的定义,实在没办法回复。

后来又听到海后这个词,虽然我有点拒绝,凭啥“王”不需要已婚,“后”就非得有个对象。不如叫“海神”。波塞冬也是海神,拿着他的三叉戟、很帅。是阿波罗帅还是他帅呢、我得想一下。还是阿波罗吧,毕竟是太阳神。我喜欢海,但我是太阳。太阳比还帅,毕竟太阳带着整个银河系在往前冲,以至于在看我这篇文章的你,每天不用动,躺在床上,一天也在宇宙里穿行了十万八千里。你唯一没被高速运动产生的热量烧死的原因是,我们有氧气层、地球有磁场,是不是很神奇?设计的多好?

而海只是众多围绕着太阳的行星中的表面液体,还会被月亮影响带来潮汐反应,也会被磁场影响。这么不稳定,要你干嘛。虽然说没有海就没有生命,但没有太阳啥都没有、更没有海。大爆炸不就是热量来的,应该是吧?不是水来的吧?如此看来,我应该跟海神没有关系,我是太阳神。

Why does the King of the Ocean have to be demonized anyway. First of all, where did this term even come from. I always thought it was just the name of that dude in Aquaman, Jason Momoa, the guy from the movie where Amber Heard got kicked out after losing her lawsuit with Johnny Depp and then the second movie got blocked, but apparently now it’s not even about that, King of the Ocean now seems to mean a guy who dates a bunch of people and makes everyone feel like they’re the only one even though they all kind of know they’re not, which makes me wonder, does that mean every American guy I know is a King of the Ocean. Honestly I don’t have any problem with Kings of the Ocean, at most I’d just be like wow, impressive, impressive, impressive, but if you’re gonna act like you’re not doing it while clearly doing it, then bro you’re just embarrassing, exposed. Besides the real Kings of the Ocean, the rest are probably just those who wish they could be but actually suck at time management, can’t provide any emotional value, and are just plain lazy. And look at Japan, they already industrialized this whole King of the Ocean thing into the host club industry, obviously it’s a legit skill, otherwise would those male hosts be making millions a year, that’s still money, still value, people see value that’s why they pay, so why demonize an effective skill.

And also, why is it always the ocean. I remember when I was back in China during college breaks, I started hearing about "fishery management" and I was like what the hell is a fishery, does that mean I can only have one fish, like if I want to go out for dinner I can only text you and can’t text others, wait to see who replies first, otherwise what, I just sit there waiting, if no one replies in ten minutes I’ll just go eat by myself okay, I get hungry fast, or you know what, you could just make a group chat and I’ll throw my message in there, how does that make me a fishery manager, why discriminate against people who value efficiency, and now we’ve upgraded to the whole ocean, is that supposed to be a compliment, I doubt it’s for people like me but honestly I don’t feel like I did anything wrong.

Later when I started working, I was gossiping with a production manager and she told me about some girl she called a residual girl and I asked why and she gave me a whole list and I just nodded oh but didn’t know how to respond and then she asked if I was a residual girl myself and I said probably not but then I got curious, what does that even mean, literally residual means residue, waste, right, though residue can be useful like I personally love zaopo hotpot it’s delicious especially in Hainan, but usually people use those words to mean things nobody wants, leftovers, so by that logic the term leftover woman is also discriminatory since it implies unwanted, left behind because it has no value, but residual men, seems like everyone still wants them, so what about residual women, are they wanted or unwanted, I honestly can’t figure out the definition and had no idea how to respond.

Then I heard there’s also a term Queen of the Ocean and I kinda reject that, why does King not have to be married but Queen has to have a partner, why not just call it Sea God like Poseidon holding his trident and he’s hot but is Apollo hotter, I gotta think about that, still Apollo I guess, he’s the Sun God after all, I like the sea but I am the sun, the sun is hotter okay because the sun carries the whole galaxy forward which means you lying in bed reading this are traveling a hundred thousand miles through the universe every day without even moving and the only reason you’re not burned alive by all that speed is because we have an atmosphere and the Earth has a magnetic field, isn’t that amazing, such good design.

But the sea, it’s just the liquid on the surface of one of the planets orbiting the sun, it even gets pulled by the moon causing tides and is affected by the magnetic field, so unstable, what do I need it for, sure no sea no life but without the sun there’s nothing, not even the sea, wasn’t the Big Bang all about heat, not water right, so in conclusion I probably have nothing to do with the Sea God, I’m the Sun God.

Why does the King of the Ocean have to be demonized anyway. First of all, where did this term even come from. I always thought it was just the name of that dude in Aquaman, Jason Momoa, the guy from the movie where Amber Heard got kicked out after losing her lawsuit with Johnny Depp and then the second movie got blocked, but apparently now it’s not even about that, King of the Ocean now seems to mean a guy who dates a bunch of people and makes everyone feel like they’re the only one even though they all kind of know they’re not, which makes me wonder, does that mean every American guy I know is a King of the Ocean. Honestly I don’t have any problem with Kings of the Ocean, at most I’d just be like wow, impressive, impressive, impressive, but if you’re gonna act like you’re not doing it while clearly doing it, then bro you’re just embarrassing, exposed. Besides the real Kings of the Ocean, the rest are probably just those who wish they could be but actually suck at time management, can’t provide any emotional value, and are just plain lazy. And look at Japan, they already industrialized this whole King of the Ocean thing into the host club industry, obviously it’s a legit skill, otherwise would those male hosts be making millions a year, that’s still money, still value, people see value that’s why they pay, so why demonize an effective skill.

And also, why is it always the ocean. I remember when I was back in China during college breaks, I started hearing about "fishery management" and I was like what the hell is a fishery, does that mean I can only have one fish, like if I want to go out for dinner I can only text you and can’t text others, wait to see who replies first, otherwise what, I just sit there waiting, if no one replies in ten minutes I’ll just go eat by myself okay, I get hungry fast, or you know what, you could just make a group chat and I’ll throw my message in there, how does that make me a fishery manager, why discriminate against people who value efficiency, and now we’ve upgraded to the whole ocean, is that supposed to be a compliment, I doubt it’s for people like me but honestly I don’t feel like I did anything wrong.

Later when I started working, I was gossiping with a production manager and she told me about some girl she called a residual girl and I asked why and she gave me a whole list and I just nodded oh but didn’t know how to respond and then she asked if I was a residual girl myself and I said probably not but then I got curious, what does that even mean, literally residual means residue, waste, right, though residue can be useful like I personally love zaopo hotpot it’s delicious especially in Hainan, but usually people use those words to mean things nobody wants, leftovers, so by that logic the term leftover woman is also discriminatory since it implies unwanted, left behind because it has no value, but residual men, seems like everyone still wants them, so what about residual women, are they wanted or unwanted, I honestly can’t figure out the definition and had no idea how to respond.

Then I heard there’s also a term Queen of the Ocean and I kinda reject that, why does King not have to be married but Queen has to have a partner, why not just call it Sea God like Poseidon holding his trident and he’s hot but is Apollo hotter, I gotta think about that, still Apollo I guess, he’s the Sun God after all, I like the sea but I am the sun, the sun is hotter okay because the sun carries the whole galaxy forward which means you lying in bed reading this are traveling a hundred thousand miles through the universe every day without even moving and the only reason you’re not burned alive by all that speed is because we have an atmosphere and the Earth has a magnetic field, isn’t that amazing, such good design.

But the sea, it’s just the liquid on the surface of one of the planets orbiting the sun, it even gets pulled by the moon causing tides and is affected by the magnetic field, so unstable, what do I need it for, sure no sea no life but without the sun there’s nothing, not even the sea, wasn’t the Big Bang all about heat, not water right, so in conclusion I probably have nothing to do with the Sea God, I’m the Sun God.

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。