DATE

5/3/25

TIME

2:51 PM

LOCATION

Oakland, CA

憋死俺老孙啦!

Bie Si An Lao Sun La

DATE

5/3/25

TIME

2:51 PM

LOCATION

Oakland, CA

憋死俺老孙啦!

Bie Si An Lao Sun La

DATE

5/3/25

TIME

2:51 PM

LOCATION

Oakland, CA

憋死俺老孙啦!

Bie Si An Lao Sun La

憋死俺老孙啦!

是不是听到声音了。这位读者,你暴露年龄了哟。笑。这几天为了写个陈冲《天浴》的review,不得不revisit整个中国近代史,只是为了能带出改革开放之后中国电影的新浪潮。这个伏笔写的我头晕脑胀,还被我爸妈说不要在网上透露家里的情况,更说会影响我出入境。虽然不完全信,但我还是乖乖给网站暂时上了锁,毕竟也涉及他们的隐私。

我真的很烦,都什么年代,2025了,还得考虑这些事情。我都在美国了,在湾区了,我还得在乎这个?我很怀疑我来美国的目的地到底是什么。躲这么远,还怕得罪。真的求求各位爹放过我,我真的只是个喜欢分享惊天大瓜的孩子。

中国有对国内外网络舆情进行监测的能力和惯例,尤其是针对中文内容,尤其是对社交媒体。不知道是否相关,我这几天发现chatgpt不能通过爬虫获取网页信息了:非得是个真人在客户端登录这个网页,才能打开。我不确定是对针对ai模型在网上用公开资料训练模型的反击,还是对所有尝试自动化监测关键字的反击。即便可以监测关键字,说实话,若是要反击,也是需要大量的人力物力无搞新闻战、信息战。恐怕对我们影响不大,顶多了解一些风声。最近美国给各国看似大征关税,其实国与国之间的差别巨大。这种自砍财力、自伤元气、谁牛逼谁一起自残的做法,直接、凶猛、让人焦虑。每天鸡飞狗跳,根本跟不上。每天新闻看似很多事,翻来覆去也还是那么些。

一些表面现象,公开的、大肆宣传、唯恐天下不知的假信息大行其道,混淆视听。与此同时,真正在进行的信息战、贸易战、金融战、黄豆战(很重要),没人关心。最近开始看些金融常识,看些期货交易之类的,感觉商战也是war,也是生与死的区别。感觉特朗普没大家宣传的那么傻逼,只是很猛、太冲,但我不觉得他没有仔细考虑过他的每个选择。

我理解某些LGBTQ群体和trump之间有beef,但说实话具体是什么情况,我也不清楚。大部分的smear campaign好像都是在挑起性少数和千禧一代对trump的厌恶。这批人比较正直,加上特朗普确实自己直男癌到不行,很容易被这群人讨厌。一听到某些特朗普打压少数群体的新闻,就很愤怒,也可以理解。但其实不必最大化这一人的影响。你想想是谁选的,为什么他们选了他,顺带可以仔细去research一下。没人说他不直男癌,但你得看一个人做了什么,而不是说了什么。

拉回来一下,聊下最近的生活。过去的这个四月还是很美好的,每天吃喝玩乐、吃喝玩累了,才补觉,补完觉继续吃喝玩乐。说是吃喝玩乐,但其实更像是在家里写毛笔字、讨论文学、讨论什么叫艺术家,讨论虚假信息泛滥、而且现在虚假信息更加的隐藏、难以甄别、神秘莫测。我经常发现chatgpt瞎说,睁眼说瞎话给我乱说某某电影主演是谁,某某又导演了什么。这要不是我知道,我都被它骗了。我每次指责它掉链子,它还态度端正、立刻道歉、俯首称臣(这个词好像不是这么用的),总之就是道理很多,宛如小时候犯错的我、一堆道理,我爸妈还说不过。

虽然每天想玩,但我还是有尝试赶一些写作的进度的,结果是完全失败、epic fail,后来索性不写了,敞开玩。除了偶尔大家都想solo,super introvert mode时候,我得没事找事写写。其他时候都在玩,或者休息是为了接下来玩做准备。既然玩了一个月,我都玩了些什么呢。我开始翻看我的相册。

“Bie Si An Lao Sun La!"

(A line from the classic 1986 TV series Journey to the West, where Liu Xiaolingtong, playing the Monkey King (Sun Wukong), yells this in frustration. If you just “heard” his voice in your head when reading that—congrats, you’ve just revealed your age. Ha.)


These past few days, I’ve been trying to write a review of Joan Chen’s Xiu Xiu: The Sent Down Girl. To do that, I had to revisit nearly all of modern Chinese history—just so I could talk about the new wave of Chinese cinema that emerged after the Reform Era. This background writing gave me a headache. And on top of that, my parents told me not to reveal too much about our family online—they said it might affect my ability to enter or leave the country. I don’t fully buy it, but I still locked the website temporarily, since it involves their privacy too.

Honestly, it’s frustrating. It’s already 2025. I live in the U.S., in the Bay Area—and I still have to care about this kind of thing? I really question what the point of coming to America was. I’ve run this far and I’m still scared of offending someone? Please, I’m begging all you overlords—cut me some slack. I’m just a kid who loves spilling explosive tea.

China has both the capability and the habit of monitoring global internet activity—especially Chinese-language content and especially on social media. I’m not sure if it’s related, but I recently noticed that ChatGPT can no longer use crawlers to access webpages. A human has to be logged into the browser client to even load the site. I don’t know whether this is a countermeasure against AI models scraping public content, or against any kind of automated keyword surveillance. But even if you can track keywords, it still takes massive manpower and funding to actually engage in information wars. It’s probably not going to affect us that much—maybe we’ll just pick up some hints of what’s going on.

Recently, the U.S. has been announcing all kinds of aggressive tariffs. But in reality, there are huge differences in how these are applied to different countries. This kind of self-harming, drag-everyone-down approach is intense, violent, and anxiety-inducing. The news every day is just chaos—I can’t keep up. Feels like a lot is happening, but dig a little deeper and it’s still the same stuff being recycled.

On the surface, we see fake news being pushed aggressively—loud, flashy, designed to confuse. But the real battles—information wars, trade wars, financial wars, and yes, soybean wars (which are actually important)—don’t get as much attention. I’ve started reading about financial basics and futures trading. Business is war, too. It’s a matter of life and death. Honestly, I don’t think Trump is as stupid as people say. He’s aggressive, sure—but I doubt he makes decisions lightly.

I know some in the LGBTQ community have beef with Trump, but honestly I’m not super clear on the details. Most of the smear campaigns seem designed to trigger hostility toward him from queer folks and millennials. These groups tend to be idealistic, and Trump really does give off heavy cishet male energy, so it’s natural they’d dislike him. When you hear he’s targeting minority groups, of course you get mad—that’s understandable. But maybe don’t over-focus on the man himself. Think about who voted for him, and why. Look into it more deeply. Nobody’s denying the dude is misogynistic, but judge him by what he does—not just what he says.


Anyway, back to life lately.

April was honestly a good month. Every day I was eating, drinking, hanging out—playing until I was tired, sleeping, then waking up to do it all again. I say “playing,” but it was more like: calligraphy at home, talking about literature, wondering what it means to be an artist, discussing how disinformation has become more hidden, harder to spot, more mysterious. I’ve noticed ChatGPT often makes things up—like saying someone starred in a film when they didn’t, or inventing director credits. If I didn’t already know, I’d believe it. And every time I call it out, it apologizes politely, very humbly—like a kid who just got scolded and is now over-explaining. Honestly, it reminds me of myself as a child: lots of logic, lots of excuses, and my parents still had the last word.

Even though I had planned to push forward with some writing, I ended up failing—completely. An epic fail. So I gave up and just let myself have fun. Except for a few days when we all went super introvert mode and wanted to be left alone, I kept myself busy by writing a little here and there. Most of the time, I was either playing or resting so I could play more. So now that I’ve spent the whole month doing this… what did I actually do?


I started scrolling through my photo albums.

“Bie Si An Lao Sun La!"

(A line from the classic 1986 TV series Journey to the West, where Liu Xiaolingtong, playing the Monkey King (Sun Wukong), yells this in frustration. If you just “heard” his voice in your head when reading that—congrats, you’ve just revealed your age. Ha.)


These past few days, I’ve been trying to write a review of Joan Chen’s Xiu Xiu: The Sent Down Girl. To do that, I had to revisit nearly all of modern Chinese history—just so I could talk about the new wave of Chinese cinema that emerged after the Reform Era. This background writing gave me a headache. And on top of that, my parents told me not to reveal too much about our family online—they said it might affect my ability to enter or leave the country. I don’t fully buy it, but I still locked the website temporarily, since it involves their privacy too.

Honestly, it’s frustrating. It’s already 2025. I live in the U.S., in the Bay Area—and I still have to care about this kind of thing? I really question what the point of coming to America was. I’ve run this far and I’m still scared of offending someone? Please, I’m begging all you overlords—cut me some slack. I’m just a kid who loves spilling explosive tea.

China has both the capability and the habit of monitoring global internet activity—especially Chinese-language content and especially on social media. I’m not sure if it’s related, but I recently noticed that ChatGPT can no longer use crawlers to access webpages. A human has to be logged into the browser client to even load the site. I don’t know whether this is a countermeasure against AI models scraping public content, or against any kind of automated keyword surveillance. But even if you can track keywords, it still takes massive manpower and funding to actually engage in information wars. It’s probably not going to affect us that much—maybe we’ll just pick up some hints of what’s going on.

Recently, the U.S. has been announcing all kinds of aggressive tariffs. But in reality, there are huge differences in how these are applied to different countries. This kind of self-harming, drag-everyone-down approach is intense, violent, and anxiety-inducing. The news every day is just chaos—I can’t keep up. Feels like a lot is happening, but dig a little deeper and it’s still the same stuff being recycled.

On the surface, we see fake news being pushed aggressively—loud, flashy, designed to confuse. But the real battles—information wars, trade wars, financial wars, and yes, soybean wars (which are actually important)—don’t get as much attention. I’ve started reading about financial basics and futures trading. Business is war, too. It’s a matter of life and death. Honestly, I don’t think Trump is as stupid as people say. He’s aggressive, sure—but I doubt he makes decisions lightly.

I know some in the LGBTQ community have beef with Trump, but honestly I’m not super clear on the details. Most of the smear campaigns seem designed to trigger hostility toward him from queer folks and millennials. These groups tend to be idealistic, and Trump really does give off heavy cishet male energy, so it’s natural they’d dislike him. When you hear he’s targeting minority groups, of course you get mad—that’s understandable. But maybe don’t over-focus on the man himself. Think about who voted for him, and why. Look into it more deeply. Nobody’s denying the dude is misogynistic, but judge him by what he does—not just what he says.


Anyway, back to life lately.

April was honestly a good month. Every day I was eating, drinking, hanging out—playing until I was tired, sleeping, then waking up to do it all again. I say “playing,” but it was more like: calligraphy at home, talking about literature, wondering what it means to be an artist, discussing how disinformation has become more hidden, harder to spot, more mysterious. I’ve noticed ChatGPT often makes things up—like saying someone starred in a film when they didn’t, or inventing director credits. If I didn’t already know, I’d believe it. And every time I call it out, it apologizes politely, very humbly—like a kid who just got scolded and is now over-explaining. Honestly, it reminds me of myself as a child: lots of logic, lots of excuses, and my parents still had the last word.

Even though I had planned to push forward with some writing, I ended up failing—completely. An epic fail. So I gave up and just let myself have fun. Except for a few days when we all went super introvert mode and wanted to be left alone, I kept myself busy by writing a little here and there. Most of the time, I was either playing or resting so I could play more. So now that I’ve spent the whole month doing this… what did I actually do?


I started scrolling through my photo albums.

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。