DATE

8/11/25

TIME

3:19 PM

LOCATION

Oakland, CA

There’s No User Manual for Life(#4)

人生没有使用手册(#4)

Genre: Fiction #1B


我在床上辗转反侧。窗外,街边的霓虹灯还很耀眼,可能是某strip club或某酒吧或某剧院。路边的行人很少,时不时有工作日也在外party的人群嬉戏打闹,除此之外,额外安静。我坐起身来,看了看手机。4:38AM。我挠了挠头发,索性站起来。我在客厅里来回踱步,又走到厨房给自己倒了杯冰水。我在沙发边坐下,顺手摸到茶几边的一本书。

这本书是个谜,就像她一样。她不断地在反反复复的试探、尝试连接、又拒绝连接之中寻找不存在的意义,好像生活里琐碎的细节都有隐藏的规律,不断寻找的同时,又深信一切并没有任何的价值。如此一边怀疑,一边探索。一边深信,一边期待被证错。想着她小心翼翼、害怕却还忍不住接近的样子,等我反应过来,嘴角已经开始上扬。我一边读,一边大脑不禁开始回放今天早些时候的细节。

我不喜欢计划被打乱的感觉,虽然我经常打乱别人的计划。我不喜欢没有预测到的事情,虽然我对最近的不可预测感到非常惊喜。其实我早就见过她,在某电影院的某华人社团的某放映。我在爆米花机边上等人,她穿着灰色带print的某公司开衫、花裤子,在问卖饮料的金发卷毛小妹妹,能不能来瓶水。因为放映的是中文电影,只有一个厅的独立影院里里外外全是华人。

卷毛小妹妹看起来有点overwhelmed,六神无主。她问了一遍,对方没听清。她笑了笑,又重复了一遍。她应该是中国人,虽然她一句中文也没说。可能是感受到我的视线,她往我的方向看了一眼。我连忙撇开脸,但我知道她看到了。等我反应过来,她已经不见了,应该是走进去了。我站着,突然想知道她坐在哪。看电影的时候,我心不在焉。我起身几次,在过道尝试寻找她的身影。不知道她隐藏的太好,还是我在黑暗中视力太差,从此再没见过她。直到最近。


我不是恋爱脑,但我喜欢她。我对大多数人不感兴趣,但偏偏非常在意她。我不喜欢last minute的约见,但我偏偏对她说好、等我一下,马上来。我回消息很慢,但对她有求必应。我担心自己变成她无数个萍水相逢、聊完就走的对象,我知道她做得到。我想成为那个例外。要怎么样,才能成为她的例外?

今晚早些时候,她又是这样临时把我叫出来。我毫无准备。我没预期到今天见到她,我还没从昨天见面的混乱里出来。我想见她,但见到她又不知道该说什么、做什么、问什么。问关于她的事情,会不会太突兀?自说自话会不会太尴尬?我脑子里编排了一整套剧本,但见到她之后,一个字也说不出。她一杯一杯的点酒,我看她一杯一杯的喝掉。

舞台上有人在弹唱乡村音乐,酒吧的Bourbon on rocks也不是我会喝的。我喜欢甜的,她喜欢烈的。她眼睛亮亮的看着舞台上的musicians,突然站起来要拉我跳舞。我脸涨得通红,她一定看到了,我的耳朵红到耳根。我不知道为什么我站了起来,也不知道为什么她突然跑了。等我反应过来,我们已经在麦当劳吃薯条。你喜欢吃薯条?她问。我点点头。我又开始聊我前女友,这次更多细节。不知道为什么,我就是想告诉她,都告诉她。你是我会分享这些的人,你知道吗。你懂吗。

I tossed and turned in bed. Outside the window, the neon lights along the street were still dazzling—probably from some strip club, or a bar, or maybe a theater. There were few people on the sidewalks, only the occasional cluster of weekday partygoers laughing and playing around. Other than that, it was unusually quiet. I sat up and glanced at my phone. 4:38 a.m. I ran a hand through my hair and decided to get up. I paced around the living room, then walked into the kitchen to pour myself a glass of ice water. Sitting down by the sofa, my hand brushed against a book on the coffee table.

The book was a mystery, just like her. She was always caught in this cycle of probing, trying to connect, then pulling away—searching for meaning that didn’t exist. It was as if the small, mundane details of life were filled with hidden patterns. She kept searching, yet believed nothing truly held value. Doubting as she explored. Believing as she waited to be proven wrong. Thinking about the way she approached things so cautiously, afraid yet unable to stay away, I realized the corners of my mouth had already lifted. I read as my mind began replaying the details from earlier today.

I hate having my plans disrupted, though I often disrupt other people’s. I don’t like the unexpected, though lately I’ve been surprisingly delighted by it. I had actually seen her before—at some film screening hosted by some Chinese community at some theater. I was standing by the popcorn machine waiting for someone, and she was wearing a gray company cardigan with a printed logo and floral pants, asking the curly-haired blonde girl at the concessions if she could get a bottle of water. Since it was a Chinese-language film, the small single-screen indie theater was packed inside and out with Chinese people.

The blonde looked a little overwhelmed, at a loss. She asked once, and the girl didn’t catch it. She smiled and repeated herself. She had to be Chinese, even though she didn’t say a single word in Chinese. Maybe because she felt my gaze, she glanced in my direction. I quickly looked away, but I knew she’d seen me. By the time I realized, she was gone—probably already inside. I stood there, suddenly wondering where she was sitting. During the movie, I was distracted. I got up a few times, trying to spot her in the aisle. I don’t know if she was just hiding too well, or if my night vision was too poor, but I never saw her again. Not until recently.

I’m not a hopeless romantic, but I like her. I’m not interested in most people, but I care about her for some reason. I don’t like last-minute meetups, yet I told her, “Okay, wait for me, I’m coming.” I’m slow to reply to messages, but I never say no to her. I worry I’ll just become another one of her countless passing encounters—people she chats with for a while, then leaves behind. I know she can do that. I want to be the exception. How do I become her exception?

Earlier tonight, she called me out again at the last minute. I was completely unprepared. I didn’t expect to see her today—I haven’t even processed the chaos from yesterday. I wanted to see her, but once I did, I had no idea what to say, what to do, what to ask. Would asking her about herself feel too abrupt? Would talking about myself be too awkward? I had scripted an entire conversation in my head, but when I saw her, not a single word came out. She ordered drink after drink, and I watched her down each one.

Someone was playing country music on stage, and the bourbon on the rocks in front of me wasn’t my thing. I like sweet drinks; she likes them strong. Her eyes were bright as she looked at the musicians on stage. Then suddenly she stood up and tried to pull me onto the dance floor. My face burned red—she must have noticed, my ears felt hot all the way to the tips. I don’t know why I stood up, or why she suddenly ran off. By the time I realized, we were already at McDonald’s eating fries. “You like fries?” she asked. I nodded. I started talking about my ex again, this time with more details. I don’t know why—I just wanted to tell her. To tell her everything. You’re the one I’d share this with, you know that? Do you understand?




I tossed and turned in bed. Outside the window, the neon lights along the street were still dazzling—probably from some strip club, or a bar, or maybe a theater. There were few people on the sidewalks, only the occasional cluster of weekday partygoers laughing and playing around. Other than that, it was unusually quiet. I sat up and glanced at my phone. 4:38 a.m. I ran a hand through my hair and decided to get up. I paced around the living room, then walked into the kitchen to pour myself a glass of ice water. Sitting down by the sofa, my hand brushed against a book on the coffee table.

The book was a mystery, just like her. She was always caught in this cycle of probing, trying to connect, then pulling away—searching for meaning that didn’t exist. It was as if the small, mundane details of life were filled with hidden patterns. She kept searching, yet believed nothing truly held value. Doubting as she explored. Believing as she waited to be proven wrong. Thinking about the way she approached things so cautiously, afraid yet unable to stay away, I realized the corners of my mouth had already lifted. I read as my mind began replaying the details from earlier today.

I hate having my plans disrupted, though I often disrupt other people’s. I don’t like the unexpected, though lately I’ve been surprisingly delighted by it. I had actually seen her before—at some film screening hosted by some Chinese community at some theater. I was standing by the popcorn machine waiting for someone, and she was wearing a gray company cardigan with a printed logo and floral pants, asking the curly-haired blonde girl at the concessions if she could get a bottle of water. Since it was a Chinese-language film, the small single-screen indie theater was packed inside and out with Chinese people.

The blonde looked a little overwhelmed, at a loss. She asked once, and the girl didn’t catch it. She smiled and repeated herself. She had to be Chinese, even though she didn’t say a single word in Chinese. Maybe because she felt my gaze, she glanced in my direction. I quickly looked away, but I knew she’d seen me. By the time I realized, she was gone—probably already inside. I stood there, suddenly wondering where she was sitting. During the movie, I was distracted. I got up a few times, trying to spot her in the aisle. I don’t know if she was just hiding too well, or if my night vision was too poor, but I never saw her again. Not until recently.

I’m not a hopeless romantic, but I like her. I’m not interested in most people, but I care about her for some reason. I don’t like last-minute meetups, yet I told her, “Okay, wait for me, I’m coming.” I’m slow to reply to messages, but I never say no to her. I worry I’ll just become another one of her countless passing encounters—people she chats with for a while, then leaves behind. I know she can do that. I want to be the exception. How do I become her exception?

Earlier tonight, she called me out again at the last minute. I was completely unprepared. I didn’t expect to see her today—I haven’t even processed the chaos from yesterday. I wanted to see her, but once I did, I had no idea what to say, what to do, what to ask. Would asking her about herself feel too abrupt? Would talking about myself be too awkward? I had scripted an entire conversation in my head, but when I saw her, not a single word came out. She ordered drink after drink, and I watched her down each one.

Someone was playing country music on stage, and the bourbon on the rocks in front of me wasn’t my thing. I like sweet drinks; she likes them strong. Her eyes were bright as she looked at the musicians on stage. Then suddenly she stood up and tried to pull me onto the dance floor. My face burned red—she must have noticed, my ears felt hot all the way to the tips. I don’t know why I stood up, or why she suddenly ran off. By the time I realized, we were already at McDonald’s eating fries. “You like fries?” she asked. I nodded. I started talking about my ex again, this time with more details. I don’t know why—I just wanted to tell her. To tell her everything. You’re the one I’d share this with, you know that? Do you understand?




sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。