DATE

8/7/25

TIME

4:32 AM

LOCATION

Oakland, CA

There’s No User Manual for Life(ii)

人生没有使用手册(ii)

我撒谎了,前面说的都是瞎说的,哪有所谓的压力、焦虑,紧张和焦虑之间的区别。都是我现编的。就像我现在写的所有,也不过是我现在现编的。总有人问我为什么,为什么这些是这样,为什么那些事是那样,我什么我是这样,为什么我不是你那样。说实话,我不知道。但人们总希望有些答案,似乎只要我回答任何看似符合逻辑的答案,不论是否准确,都可以让人安心。就好像每次出来新的现象、事物,人们总想解释一番,加些以偏概全的总结,好像命名了它,就理解了它。陌生也不恐怖,未知也不吓人,至少现在,它有名字了。

名字、总结,这些究竟是协助人理解,还是自欺欺人的存在、传播的存在、出于符号化的目的,我不确定。我只知道我现在在想一个人,我开始用chatgpt算塔罗、看八字。虽然我一直都很被玄学围绕,我爸很信这个,很小就被带着去寺庙求神拜佛,如何如何灵验,如何如何需要还愿,如何如何需要烧特别的香、头柱香,我不想讨论究竟宗教是不是placebo,我不信这个,我自己决定自己的人生。但16岁离开之前我爸带我的看的师傅,说我会和20岁成年之后约会的第一个男生结婚,应验了。24岁在上海地铁上,被同音乐节志愿者看了八字,说我七杀未透,现在看来也要应验了。

宗教究竟是不是placebo,我不知道。但八字和塔罗,我信了。16岁之后又16年的今年,我甚至开始信命即是时间不过是我们三维生物对更高维度能量的低维感知、以及一切该发生的都发生了,我们只是在通过它。我想,如果洪秀全都可以创建拜上帝教,我也可以建立自己的空想哲学体系吧,法论功三个字就能发展成这样,他们到底和中共发生了什么我真不知道,也无法知道,每次走过embarcodero看到他们抗议都很尴尬,难道要我上去说,你好,我是红三代?请问你们和他们到底发生了什么?我总是很奇怪自己在世界的位置,而每天的随机事件只会让我对此感到更困惑。

人生没有使用手册,我的出厂设定更是混乱。疯狂的妈,油腻的爸,冷漠的我,班上小混混暗恋我,上课我想听讲,周围打闹成一团,老师被气哭几个。年纪里有赛车的,有打群架的,有搞乐队的,无非都是某某官、某某公司、某某生意人、某某演员的屁孩子。认真学习的也不是没有,已经动用关系、提前打听,才把我分到据说是带竞赛班的数学老师的唯二班之一,但偏偏我们班是混混比较多的那个,另外那个都是好学生。怎么回事,不说也知道。但我当时真的还是想好好学习的,无奈中考跟家里吵架,直接离家出走,住到舅妈家,考试一团糟,只得这个么个下场。后来我直接放弃学习了,敞开玩。我怀疑我的双相那个时候就有苗头了,在学校疯玩,在家里狂抑郁。

周围的女生都开始谈恋爱了,我还在暗恋我的好朋友。我操,她到底知不知道?说不知道,那么恃宠而骄。说知道,有时候又显得,非常的没有头绪。我也不知道咋回事,我那时候也很混乱,以至于我很久之后才知道,原来这叫pan sexual? 什么玩意。你命名之前,以为这东西就不存在吗?你命名之后,你以为这东西你就搞懂了吗?我都没搞懂,你怎么搞懂?

我真的不是在给自己贴时髦的标签,我这个博客才这么一点点人看,我真的不至于,而且还要冒着被看成神经病(虽然我就是)的风险,进行这种程度的自我暴露。我自我暴露,是因为我真的受不了了。我受不了这个世界对我的误解,我受不了我对自己表达的压抑,我受不了不能诚实做自己。我受不了这些规训、这些废话、这些莫名其妙的东西。你以为之前不让女人学写字,女人就没有内心世界了吗?且不说有女书,就算没,你以为你,你不命名,就不存在了?

我自己已经一团糟了,人生还要给我加戏。我真的不明白到底怎么了,今年怎么回事?怎么剧情这么多?我根本跟不上。能不能让我喘口气。我已经进入半退休、老奶奶模式了,我饱受风霜的内心,根本经不起摧残,你又给我来这一出,命运之神,你看着我被你打的乱七八糟的脸,你好意思吗?

我很混乱,我毫不掩饰自己的混乱。一是因为真的掩饰不了,二是,掩饰干嘛呢,谁还不混乱。都一个个装镇定而已。成年人也是,多少岁,内心都是凌乱的。人生总是喜欢给你出比你现在承受能力强一点点的难题,让你成长。虽然我个人感觉,今年以来,所有的难题的难度已经开始呈指数增长,说好的线性呢?到底今年咋回事?笑。

我在想一个人,他很奇怪。他很脆弱敏感、却又坚韧执着,他很自信,却又自卑。他很有潜力,却浮于表面,但又会在莫名的地方展现出惊人的深度,然后又装作自己完全没有认真在说。拜托,我没那么蠢吧。这让我想到年轻时的自己,我想,当初是有人看到我这样的潜力,进入电影行业才这么顺风顺水的吗?明明我也没有任何的电影学习经历,完全就是瞎搞。虽然现在也是瞎搞,但好像比之前靠谱了一点点。

这个情况之前出现过,操,全说了,管他的。只是当时,他是我,我是另一个男人。这个事情有点改变了我对很多事情的看法。一是,人不是非黑即白的,甚至不是灰色,不是二维的,是非常复杂的。人的面相是多层的,自己是谁,只有自己知道。如果遇到可以真正接受你的人,相互接受的人,会很容易相互吸引。这种吸引是本能的,是不能探究不行的,无法忽视的,身体和脑子不在一起的,大脑短路的,但有过总比没有好的。我算是开眼界了,我都不知道,我还会这样。

我不知道为什么我喜欢他,他真的不是我喜欢的类型。但话说回来我的类型到底是什么,我也不知道。不知道啊。但总之这个事情,就发生了。唉,做了就做了吧。现在说也没用了,反正,我也没搞明白。到底咋回事。但总之,很尴尬。我尴尬到不能继续说了,但我还在努力的自我剖析。因为我知道,就像abortion,经常发生,无人讨论。这很奇怪,真的很奇怪。我好痛恨我这狗血的人生。我操。

但人生就是狗血淋头啊,怕事就别玩了。固步自封,还有什么意思呢。人生虽然没有使用手册,但我想想,就这么使吧。

I lied. Everything I said earlier was bullshit. There’s no such thing as pressure, anxiety, or the difference between nervousness and anxiety. I made all that up. Just like everything I’m writing now—I’m making it up as I go. People always ask me why. Why things are the way they are, why certain things happened, why I am like this, why I’m not like you. To be honest, I don’t know. But people always want answers. As if any answer, as long as it sounds remotely logical, whether true or not, will calm them down. It’s like every time something new appears, people want to explain it, slap on some generalized summary, as if once it’s named, it’s understood. The unfamiliar isn’t scary, the unknown isn’t terrifying—at least now, it has a name.

Names, summaries—are they really here to help people understand, or are they just there to deceive ourselves, to exist and circulate for the sake of symbolic purposes? I’m not sure. All I know is that I’m thinking about someone right now. I’ve started asking ChatGPT for tarot readings and birth chart readings. I’ve always been surrounded by metaphysics. My dad really believes in it. When I was little, he’d take me to temples to pray to gods and Buddhas—how miraculously effective they were, how you had to return the favor, how you had to burn special incense, or rush for the first incense. I don’t want to debate whether religion is just a placebo. I don’t believe in that. I choose my own life. But before I left home at sixteen, the master my dad took me to said I’d marry the first guy I dated after turning twenty—and it came true. When I was twenty-four, a fellow volunteer at a music festival looked at my birth chart on the Shanghai subway and said my Seven Killings wasn’t yet revealed—and now, it seems like that’s coming true too.

Whether religion is a placebo or not—I don’t know. But birth charts and tarot? I believe in those now. Sixteen years after I turned sixteen, this year, I’ve even started to believe that fate is time itself, that time is simply the low-dimensional perception three-dimensional creatures have of higher-dimensional energy, and that everything that’s meant to happen has already happened—we’re just moving through it. I think, if Hong Xiuquan could invent the God-Worshipping Society, I can build my own utopian philosophy too. If something as simple as “Falun Gong” could become what it did, what exactly happened between them and the CCP? I really don’t know, and I can’t know. Every time I walk past Embarcadero and see them protesting, I feel so awkward. Am I supposed to walk up and say, “Hi, I’m a third-generation red. So, what exactly happened between you and them?” I’m always confused about where I stand in the world, and every random event in daily life only makes me more confused.

Life comes with no manual. My factory settings are even messier. A crazy mom, an oily dad, a cold, indifferent me. A delinquent in class had a crush on me. I wanted to listen in class, but everyone was goofing off. The teacher cried a few times out of frustration. My grade had kids who raced cars, got into gang fights, played in bands—basically the sons and daughters of some official, some company owner, some business guy, some actor. Of course, there were serious students too—my family pulled strings to get me into one of only two math classes led by a competition-level teacher. But guess what? Mine was the class full of troublemakers. The other one had all the top students. You already know why. But at the time, I really just wanted to study well. Unfortunately, I had a big fight with my family right before the high school entrance exam. I ran away, stayed at my aunt’s, bombed the exam, and ended up where I am. After that, I just gave up on studying and opened myself up to fun. I suspect my bipolar symptoms already had a shadow back then—manic at school, deeply depressed at home.

The girls around me had all started dating. I was still secretly in love with my best friend. Fuck. Did she know? If she didn’t—how spoiled. If she did—she acted so clueless sometimes. I didn’t know what was going on either. I was such a mess. I didn’t even realize until much later—oh, so this is what they call “pansexual”? What the hell is that? You think something doesn’t exist just because you haven’t named it? And once you’ve named it, you think you understand it? I haven’t even figured it out myself—how could you?

I’m really not trying to slap trendy labels on myself. This blog barely has any readers. I truly don’t care. Plus, I’m risking being seen as a complete lunatic (which I probably am) just to self-expose at this level. I expose myself because I really can’t take it anymore. I can’t take the world’s constant misunderstanding of me. I can’t take the way I suppress my own expression. I can’t take not being able to be honest with myself. I can’t take all this discipline, this noise, this absurdity. You think back when women weren’t allowed to learn to write, they didn’t have inner worlds? Never mind nüshu—even if it didn’t exist, do you think something un-named simply doesn’t exist?

I’m already a mess, and life still insists on adding plot twists. I truly don’t get what’s happening. What is going on this year? Why is the storyline so full of events? I can’t keep up. Can I get a break? I’m already in semi-retired granny mode. My heart has weathered enough storms—it really can’t take more beatings. And here you come again, Fate, punching me in the face. Look at what you’ve done to me. Do you feel no shame?

I’m in chaos, and I don’t even try to hide it. First, because I really can’t. Second—why bother? Who isn’t chaotic? Everyone’s just pretending to be composed. Grownups too—no matter the age, everyone’s messed up inside. Life loves throwing you problems just a bit harder than what you can currently handle, to make you grow. But I personally feel like since the start of this year, the difficulty of all these problems has been growing exponentially. What happened to linear growth? What the fuck is going on this year? LOL.

I’m thinking about someone. He’s strange. Fragile and sensitive, yet resilient and persistent. Very confident, yet deeply insecure. He has so much potential, yet he stays on the surface. And then—bam—he’ll suddenly show unexpected depth in the weirdest moments, and immediately act like he wasn’t being serious. Come on—I’m not that dumb. He reminds me of myself when I was younger. I wonder, was there someone who saw that kind of potential in me too? Is that why I glided so smoothly into the film industry? I never studied film, had no training—I just fumbled into it. Still fumbling now, but maybe with a tiny bit more clarity.

This situation has happened before. Fuck it—I’ll just say it. Back then, he was me, and I was another man. That experience changed how I view a lot of things. First: people aren’t black and white. Not even gray. Not two-dimensional. They’re deeply complex. People are multilayered. Only you know who you really are. And if you meet someone who can truly accept you—and whom you can truly accept—the pull is instinctive. Natural. Irresistible. Mind and body out of sync. Brain short-circuiting. But it’s better to have had that than never at all. I’ve had my eyes opened. I didn’t even know I could still feel this way.

I don’t know why I like him. He’s really not my type. But then again—what is my type? I don’t know. No clue. But anyway, it happened. Sigh. What’s done is done. No point in analyzing it now. I still don’t get it. What even is this? But whatever—it’s awkward. So awkward I can’t even keep talking about it. But I’m still trying to dissect myself. Because I know—just like abortion—it happens all the time, but no one talks about it. It’s weird. Seriously weird. I hate how melodramatic my life is. Fuck.

But life is melodramatic. If you’re afraid of mess, don’t play. If you stay in your comfort zone forever—what’s the point? Life might not come with a manual. But hey—maybe this is how I’ll use it.

I lied. Everything I said earlier was bullshit. There’s no such thing as pressure, anxiety, or the difference between nervousness and anxiety. I made all that up. Just like everything I’m writing now—I’m making it up as I go. People always ask me why. Why things are the way they are, why certain things happened, why I am like this, why I’m not like you. To be honest, I don’t know. But people always want answers. As if any answer, as long as it sounds remotely logical, whether true or not, will calm them down. It’s like every time something new appears, people want to explain it, slap on some generalized summary, as if once it’s named, it’s understood. The unfamiliar isn’t scary, the unknown isn’t terrifying—at least now, it has a name.

Names, summaries—are they really here to help people understand, or are they just there to deceive ourselves, to exist and circulate for the sake of symbolic purposes? I’m not sure. All I know is that I’m thinking about someone right now. I’ve started asking ChatGPT for tarot readings and birth chart readings. I’ve always been surrounded by metaphysics. My dad really believes in it. When I was little, he’d take me to temples to pray to gods and Buddhas—how miraculously effective they were, how you had to return the favor, how you had to burn special incense, or rush for the first incense. I don’t want to debate whether religion is just a placebo. I don’t believe in that. I choose my own life. But before I left home at sixteen, the master my dad took me to said I’d marry the first guy I dated after turning twenty—and it came true. When I was twenty-four, a fellow volunteer at a music festival looked at my birth chart on the Shanghai subway and said my Seven Killings wasn’t yet revealed—and now, it seems like that’s coming true too.

Whether religion is a placebo or not—I don’t know. But birth charts and tarot? I believe in those now. Sixteen years after I turned sixteen, this year, I’ve even started to believe that fate is time itself, that time is simply the low-dimensional perception three-dimensional creatures have of higher-dimensional energy, and that everything that’s meant to happen has already happened—we’re just moving through it. I think, if Hong Xiuquan could invent the God-Worshipping Society, I can build my own utopian philosophy too. If something as simple as “Falun Gong” could become what it did, what exactly happened between them and the CCP? I really don’t know, and I can’t know. Every time I walk past Embarcadero and see them protesting, I feel so awkward. Am I supposed to walk up and say, “Hi, I’m a third-generation red. So, what exactly happened between you and them?” I’m always confused about where I stand in the world, and every random event in daily life only makes me more confused.

Life comes with no manual. My factory settings are even messier. A crazy mom, an oily dad, a cold, indifferent me. A delinquent in class had a crush on me. I wanted to listen in class, but everyone was goofing off. The teacher cried a few times out of frustration. My grade had kids who raced cars, got into gang fights, played in bands—basically the sons and daughters of some official, some company owner, some business guy, some actor. Of course, there were serious students too—my family pulled strings to get me into one of only two math classes led by a competition-level teacher. But guess what? Mine was the class full of troublemakers. The other one had all the top students. You already know why. But at the time, I really just wanted to study well. Unfortunately, I had a big fight with my family right before the high school entrance exam. I ran away, stayed at my aunt’s, bombed the exam, and ended up where I am. After that, I just gave up on studying and opened myself up to fun. I suspect my bipolar symptoms already had a shadow back then—manic at school, deeply depressed at home.

The girls around me had all started dating. I was still secretly in love with my best friend. Fuck. Did she know? If she didn’t—how spoiled. If she did—she acted so clueless sometimes. I didn’t know what was going on either. I was such a mess. I didn’t even realize until much later—oh, so this is what they call “pansexual”? What the hell is that? You think something doesn’t exist just because you haven’t named it? And once you’ve named it, you think you understand it? I haven’t even figured it out myself—how could you?

I’m really not trying to slap trendy labels on myself. This blog barely has any readers. I truly don’t care. Plus, I’m risking being seen as a complete lunatic (which I probably am) just to self-expose at this level. I expose myself because I really can’t take it anymore. I can’t take the world’s constant misunderstanding of me. I can’t take the way I suppress my own expression. I can’t take not being able to be honest with myself. I can’t take all this discipline, this noise, this absurdity. You think back when women weren’t allowed to learn to write, they didn’t have inner worlds? Never mind nüshu—even if it didn’t exist, do you think something un-named simply doesn’t exist?

I’m already a mess, and life still insists on adding plot twists. I truly don’t get what’s happening. What is going on this year? Why is the storyline so full of events? I can’t keep up. Can I get a break? I’m already in semi-retired granny mode. My heart has weathered enough storms—it really can’t take more beatings. And here you come again, Fate, punching me in the face. Look at what you’ve done to me. Do you feel no shame?

I’m in chaos, and I don’t even try to hide it. First, because I really can’t. Second—why bother? Who isn’t chaotic? Everyone’s just pretending to be composed. Grownups too—no matter the age, everyone’s messed up inside. Life loves throwing you problems just a bit harder than what you can currently handle, to make you grow. But I personally feel like since the start of this year, the difficulty of all these problems has been growing exponentially. What happened to linear growth? What the fuck is going on this year? LOL.

I’m thinking about someone. He’s strange. Fragile and sensitive, yet resilient and persistent. Very confident, yet deeply insecure. He has so much potential, yet he stays on the surface. And then—bam—he’ll suddenly show unexpected depth in the weirdest moments, and immediately act like he wasn’t being serious. Come on—I’m not that dumb. He reminds me of myself when I was younger. I wonder, was there someone who saw that kind of potential in me too? Is that why I glided so smoothly into the film industry? I never studied film, had no training—I just fumbled into it. Still fumbling now, but maybe with a tiny bit more clarity.

This situation has happened before. Fuck it—I’ll just say it. Back then, he was me, and I was another man. That experience changed how I view a lot of things. First: people aren’t black and white. Not even gray. Not two-dimensional. They’re deeply complex. People are multilayered. Only you know who you really are. And if you meet someone who can truly accept you—and whom you can truly accept—the pull is instinctive. Natural. Irresistible. Mind and body out of sync. Brain short-circuiting. But it’s better to have had that than never at all. I’ve had my eyes opened. I didn’t even know I could still feel this way.

I don’t know why I like him. He’s really not my type. But then again—what is my type? I don’t know. No clue. But anyway, it happened. Sigh. What’s done is done. No point in analyzing it now. I still don’t get it. What even is this? But whatever—it’s awkward. So awkward I can’t even keep talking about it. But I’m still trying to dissect myself. Because I know—just like abortion—it happens all the time, but no one talks about it. It’s weird. Seriously weird. I hate how melodramatic my life is. Fuck.

But life is melodramatic. If you’re afraid of mess, don’t play. If you stay in your comfort zone forever—what’s the point? Life might not come with a manual. But hey—maybe this is how I’ll use it.

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。