DATE

3/17/25

TIME

6:28 AM

After Tahoe, came college / I HATE SCHOOL

PART FOUR

After Tahoe, came college. I was still very financially dependent on my parents, despite several attempts to work at various restaurants, medical centers. Maybe I should have just sold drugs. On one hand, i tried to take as wide range of a range of courses as i could, regardless of whether they’d count toward my majors(at first physics, then psychology) or not, including political science, classical mythology, positive psychology, shooting and developing holograms, decision making and judgement, dance, quantum mechanics etc. This directly resulted in me delaying graduation for another year. 

On one hand, I was very interested in the conceptual aspect of physics, on the other hand, I didn’t want to go to calculus classes at all. I did do well in quantum without understanding the Newtonian system too well though. I wonder if there will be a point in time in the future quantum’s all the physics we need to know. 

The point is, I was on probation for a total of maybe 2 years out of the five years I was in Ohio. I'd be on probation every other term, because being on two consecutively would result in withdrawal because my grades were lingering  in the 1.0 semester borderline. It was mostly due to all the partying, and drinking, and more partying… and more drinking. I say party, but more like… confused kids with bottled hormones are drowning in alcohol because the more law wants you to not drink until 21, the more you want to drink before 21.  I lived in a house, I had no choice but to participate since there were four Japanese and two Chinese, the other Chinese was always over at her chinese american boyfriend’s fraternity house. 

My physics grades were shit still despite trying hard the last two years of college  that I had one class that I couldn’t pass which directly resulted in me giving up the major completely. I settled with a minor. My other major, psychology, was doing ok despite bare minimal effort, though I always paid attention in class, I still didn’t want to do homework, or prepare for tests. I’ve never been good at tests. Or homework. Or anything I don’t like doing in general.


PART FIVE

I hate school. I like to learn. I like to read. I like to discuss, to interpret, to research, to profile characters and authors, to imagine what they must have felt against a certain historical backdrop at the time any of this information and perspective were given.  What was he thinking when he wrote this? What was she going through when she was heartbroken like that. I want to know. I don’t read fiction, I only read non-fiction. I don’t like authoritative narrative that sound like, this is how it was, how it went. I like to see personal stories, emotional perspectives, along with their collective memories that may or may not be closest to the truth.

Truth does not exist. Double-slit experiment tells us that everything exists in both a wave and a particle. It depends on when a wave is observed and it falls into one of its superpositions. I just read up on this on wikipedia real quick, and I believe even when it’s observed, there’s a possibility of its reversion. 

Since the state of everything changes depending on how it's observed, there’s little meaning in discussing what is ‘truth’, since there’s no ‘truth’ that exists alone. The philosophical debate of whether the subject truth exists alone is over, it does not. Nothing exists alone. It’s mutual, back-and-forth, entangled. Yes, everything is entangled. Quantum entanglement is in fact, how your iphone works. 

I hate school, because there’s no subjective truth. I hate school, because you can’t tell me I’m wrong, you are right. I hate school, because I’m not learning, I’m memorizing fake news. Math is not science. Physics is only an observation plus pattern recognition. What if there’s no pattern at all? What if all these narratives, false narratives, only exist in our brain plugged into matrix, our body soaked in wet water in a womb-like capsule since we haven’t taken the red pill?  

I thought by going to college in a different country, the nature of the educational system would be different. Turns out, it’s the same. I only truly enjoyed one year of going to school in my entire life, and that was South Tahoe High School, where I felt I was allowed to explore, investigate, experiment. College was not like that. It was back to the cramming information, and practice for skills like it’s a muscle, more like training, less like learning, or creating. 

I had a friend, who I used to be really close to, in fact, I was one of the first few people he came out to, whom I also no longer talk to. His name is Cameron. He also loved to read, and still loves to read. We’d always recommend books to each other, talk about art, culture, religion, language etc. 


PART SIX

Cameron inspired a lot of art in me. He’s a very creative person, and I still feel like how he lives right now is too precarious for me to think he knows how talented he is, and feel upset that he’s not pushing himself a bit harder to see how far he can get. Our relationship was purely platonic of course, since he’s gay, I’m pan, which actually means the affection was mostly one-sided, from me to him. 

He’s kind of like a cute little bird sometimes. Warm, happy. Other times, it's like thunderstorms, lightning strikes, that guy that’s been following you from across the street at 3am when you leave Smith Lab to do physics homework. Saying he’s moody would be an understatement of the century. He’s another emotional roller coaster, and for someone like me who couldn’t fix her mom, I took his confusing personality very seriously and suggested therapy. I doubt he ever had anything now that I see first-hand how having a few real mental illnesses can be. It’s not something you can decide when to have, when not to have. It comes and goes as it wants, leaving you like a wreckage like Miley Cyrus. Whatever he had, or pretended to have (sue me for defamation?), was definitely not serious enough to be on the amount of meds I’m on. But he was a very sad guy, for not being accepted by his Christian family for a long time for being gay. 

Gay or not did not matter to me. I liked being around him because he reminds me of someone from when I was very little. The kind of friend you’d share your favorite toy with, and just do silly things together without any purpose. He’s very gifted in so many things, language, art, culinary, and culture. My expectation for how fast people should pick up a language is not normal after meeting him. If you can’t speak like him, do you really know it? He was so good at imitation that, for a while, he kind of lost it. He was getting confused as to who he was and such, which was very confusing to me as well, because how do you not know who you are?

Later, I learned that it's like a strange thing he does to entertain himself, by pretending to be someone else. He even pretended to be a girl at one of our house parties and made out with three different guys, none of them knew he was a boy. I felt so sorry for them. Can’t wait to see how they are when they find out. Or have they found out already? I don’t know. 

The point is, he always knew who he was, we all know who we are. So here I am, telling you who I am. The good, the bad, the pretty, the ugly, just like a normal person. 


PART SEVEN

Because what is a normal person? I’m strongly against the idea that there is such a thing as the norm that people naturally approximate to. Sure, there are conventions, social etiquette, common interests, similarities. We are a naturally diverse species, we will be different, but to share the space on earth, certain ground rules to help us communicate and co-exist should be in place. 

Whether it being honorifics, or certain customs, traditions, preferences, ideas, beliefs, they could all be considered the norm. To say how someone as a person is normal does not make sense to me. Because how can you say what’s the norm, when such an exemplified normal does not exist in nature? There’s a range, and there’s an outlier. Both normal, both exist. 

All the people I’ve met throughout the years, in different countries, from different cultural backgrounds, religion, industries and I do get asked, how are they like? What do they like? My answer is always the same. You’d be the same, given the nurture. Or if you’d be completely different, given your nature. Or perhaps everything that would happen has already happened, and free will does not exist, either, that the nurture vs nature debate is pointless. Because neither dictates the outcome. 

I spent much time with various different student collectives, from class, from doing midterm together in Smith Lab, from performing, from the same dorm, from friends, etc. To me, they are all not too different.



PART THREE

在Tahoe之后,就是大学了。我在经济上依然非常依赖父母,尽管曾试图在各种餐厅、医疗中心打工。也许我当时就该去卖毒品。一方面,我尽量选了各种类型的课,不管它们是否计入我的主修(最开始是物理,后来是心理学),比如政治学、古典神话学、积极心理学、全息摄影与冲洗、判断与决策、舞蹈、量子力学等等。这直接导致我毕业又晚了一年。

我一方面对物理的概念层面非常感兴趣,但另一方面,又完全不想去上微积分的课。尽管牛顿体系我理解得并不太好,我量子力学的成绩却还不错。我有点好奇未来某个时刻是否我们只需要懂量子物理就够了。

重点是,我在俄亥俄的五年里,大概有两年都在学业留校察看(probation)的状态。基本上是每隔一个学期就会被警告一次,因为连续两个学期被警告就会被强制退学,而我的GPA常年徘徊在1.0的边缘。这大多是因为不停地参加派对、喝酒、继续参加派对……继续喝酒。我说“派对”,其实更像是一群荷尔蒙失控的迷茫青年沉溺在酒精里,因为越是法律规定21岁前不能喝酒,大家越是要在21岁前拼命喝酒。我住在一个合租屋里,不得不参与。那房子里住着四个日本人和两个中国人,另一个中国女生总是泡在她那个ABC男友所在的兄弟会宿舍。

尽管我在大学最后两年很努力,我物理的成绩还是一塌糊涂,其中有一门课始终过不了,最后直接导致我彻底放弃了物理专业。我就读了个辅修。另一个主修心理学虽然没怎么用心,但也还过得去。虽然我上课总是认真听讲,但我还是不愿意做作业、不愿意准备考试。我一直不擅长考试,也不擅长做作业,基本上不擅长做我不喜欢的任何事。

PART FOUR

我讨厌学校。我喜欢学习。我喜欢阅读。我喜欢讨论、诠释、研究,喜欢分析人物与作者,喜欢想象他们在那个历史背景下的情绪与处境——当这些信息与观点被表达出来时,他们当时在想什么?他写下这些文字时在想什么?她心碎成那样时正在经历什么?我想知道。我不看虚构作品,我只读非虚构。我不喜欢那种权威叙述,说“事情就是这样发生的”,我喜欢看到个人故事、情绪视角,以及那些未必最接近事实的集体记忆。

真相是不存在的。双缝实验告诉我们,一切既是波也是粒子。这取决于什么时候被观察,波才会坍缩为其中一个叠加态。我刚刚快速在维基百科上复习了一下,我相信即便已经被观察,也可能还会反转。既然所有事物的状态都会因被观察的方式而改变,那么讨论“真相”就没什么意义,因为根本没有哪个“真相”是独立存在的。哲学上关于“主观真相是否独立存在”的争论已经结束了——它不独立。没有什么东西是独立存在的。一切都是互为主体的、是往返的、是纠缠的。是的,一切都纠缠在一起。量子纠缠,其实就是你iPhone工作的原理。

我讨厌学校,因为它没有“主观真相”。我讨厌学校,因为你不能告诉我你是对的、我是错的。我讨厌学校,因为那不是学习,而是记忆一些“假新闻”。数学不是科学。物理只是观察与模式识别。那如果根本没有模式呢?如果我们的大脑只是插在矩阵里的一个节点,我们的身体泡在像子宫一样的胶囊里、沉浸在潮湿液体中,只是因为我们没选那颗红色药丸?

那这些叙事呢,这些虚假的叙事,是不是真的只存在于我们大脑里?我原以为,去另一个国家上大学,教育系统的本质会不同。结果,还是一样的。我这辈子真正享受上学的时间只有一年,就是在South Tahoe高中,那是我觉得自己被允许探索、调查、实验的一年。大学不是那样的,它又变回了塞填知识、练习技能、像锻炼肌肉那样的过程,更像训练,少了学习,少了创造。我曾经有个朋友,我们以前非常亲密,事实上我是他最早出柜时告诉的几个人之一,但现在也不再联系了。他叫Cameron。他也喜欢读书,到现在也依然喜欢。我们总是互相推荐书,谈论艺术、文化、宗教、语言等等。

PART FIVE

Cameron 激发了我很多艺术的灵感。他是个非常有创造力的人,我到现在都觉得他现在的生活状态太不稳定,让我很难相信他真的意识到自己有多有才华,也为他没有再多逼自己一点点、看看自己到底能走多远而感到遗憾。我们的关系当然是纯友谊,因为他是 gay,而我是泛性恋,其实也就是说这种感情基本上是单方面的——从我这边去他那边。

他有时候像一只可爱的小鸟,温暖、快乐。有时候又像雷雨交加、闪电劈下,或者像凌晨三点你从 Smith 实验楼出来做完物理作业,那个从街对面一路跟着你的人。说他“情绪化”根本不够描述他。他就是另一列情绪过山车,而对我这种连自己妈妈都“修不好”的人来说,我对他的混乱性格非常认真地建议过他去做心理咨询。现在我亲身经历了几种真正的精神疾病之后,我很怀疑他是否真的得过什么病。这种事不是你说来就来、说没就没的。它想来就来,想走就走,走了之后把你搞得像 Miley Cyrus 歌里那种废墟一样。无论他曾经有什么,或者假装有什么(要告我诽谤吗?)——反正肯定没严重到像我现在吃的这些药的程度。但他确实是个很难过的人,因为很多年里他的基督教家庭都不接受他是 gay。

他是不是 gay 对我来说一点都不重要。我喜欢跟他在一起,是因为他让我想起我小时候认识的某个朋友。那种你愿意把最喜欢的玩具分享给他、可以一起做傻事、毫无目的地玩在一起的朋友。他在很多事情上都很有天赋,比如语言、艺术、厨艺和文化。自从认识他之后,我对“别人学一门语言该有多快”这件事的标准就彻底不正常了。如果你不能像他说得那么好,你真的算会说吗?他模仿能力太强了,以至于有段时间他有点“迷失”了。他开始搞不清楚自己是谁之类的——这对我来说也很困惑,因为我不理解:你怎么会不知道你是谁?

后来我才知道,那好像是他用来自娱自乐的一种奇怪方式——假装成别人。他甚至在我们家开的某次派对上假扮成一个女生,还和三个不同的男生接吻,他们全都不知道他其实是男的。我当时真的替他们觉得难过。真想看看他们知道真相后的反应。或者他们已经知道了?我也不知道。

重点是:他一直都知道自己是谁,我们所有人其实都知道自己是谁。所以我现在在这里,告诉你我是谁。好的,坏的,漂亮的,丑的——就像一个普通人一样。


PART SIX

那什么是“正常人”呢?我强烈反对“人类会自然趋近某种‘常态’”这种说法。当然,确实存在一些约定俗成的东西,比如社交礼仪、习惯、共同兴趣、相似性。我们这个物种本身就是多样化的,我们本来就会不同。但为了共享地球上的生存空间,我们确实需要一些基本的“地基规则”来帮助沟通与共存。无论是敬语、某些风俗、传统、偏好、想法或信仰,这些都可以被称为“常规”。但要说某个人本身“是正常的”,这在我看来是毫无意义的。因为,如果自然界中根本就不存在那个被举例说明的“正常”,你又怎么能说什么是“正常”的呢?有一个范围,也有一个离群值。两者都存在,都正常。

这些年来我见过的所有人,不同国家的、不同文化背景、宗教、行业的人,别人常常会问我:他们都是什么样的?他们喜欢什么?我给出的回答总是一样的:如果你接受的是同样的养育环境,你也会是这样。或者说,如果你的天性不同,你会完全不一样。又或者,其实一切早已注定,自由意志根本不存在,所谓“先天还是后天”的争论也毫无意义——因为两者都无法决定最终的结果。我和各种学生群体一起待过很多时间,来自课堂、在Smith Lab一起考期中、表演活动、同一栋宿舍楼、朋友介绍等等。对我来说,他们都没有太大的不同。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Double Take Film, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是93年出生于长沙的自由创作者。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作。


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。